Bible of the Dead Read Free

scenery! With friendly peasants in funny hats! So do it.
    Snap. A stock shot. Snap. A stock shot. Snap. That was a good one. He checked the digiscreen. No it wasn’t. Jake sighed. This was the last day of work and when would he next make a buck or a kip or a baht or a dong?
    Maybe he should have become a lawyer. Maybe he should have become a banker, like half his friends back in London. But his family tragedies and his own wilfulness had combined to send him abroad: as soon as he had reached eighteen he’d wanted to get the hell out of Britain, get the hell out of his own head.
    He’d wanted to travel and he’d wanted drugs and he’d wanted seriously dangerous adventure – to rid himself of the ineradicable memories. And to a point his running away had worked, until he’d hit the wall of near-bankruptcy, and he’d realized he needed a job and so he’d remembered his childhood yen for art, and he’d squeezed into photography: begging for work in studios, laboriously teaching himself the craft, crawling back to a real kind of life.
    And finally he’d taken the plunge, and stepped into photo-journalism – just at the time when photojournalism was, maybe, dying on its feet.
    But what can you do? You can do your job. Photography.
    A young suntanned barefoot ankle-braceleted Australian girl was ambling down the main road of Vang Vieng in the tiniest bikini. Jake took a surreptitious shot. There wasn’t much light left. He knelt, and clicked his camera, once again.
    The girl had stopped to throw up in the street, quite near a saffron-robed Buddhist monk on a bicycle. Jake took another shot. He wasn’t remotely surprised by the girl’s outrageous behaviour. No doubt she was just another of the kids who inner-tubed down the river all day every day. Because that was the unique selling point of Vang Vieng.
    Every cool and river-misty morning dozens of minibuses took dozens of backpacking kids upstream, the kids in their swimsuits all sober and nervous and quietly excited. Then the buses decanted the kids into riverside huts where they were given big, fat tyre inner-tubes to sit in, and the tubes were cast off into the riverflow, and then these western teens and twentysomethings spent the hot Laotian day floating in their tubes down the river, occasionally stopping at beachside beershacks to get drunk on shots or doped on reefer or flipped on psychotropic fungi.
    By the time the innertubers berthed at Vang Vieng in the late afternoon they were blitzed and grinning and sunburned and adolescently deranged.
    Jake slightly pitied these kids: he pitied them for the way they all thought they were having a unique, dangerously third world experience – when it was an experience neatly packaged and sold to every sheeplike teen and twentysomething who came here. Laos was remote but not that remote: thousands had this ‘unique experience’ every week of every month.
    But Jake also envied the youthfully uncaring backpackers: if he had been just five years younger and five times less mixed-up he’d have jumped in a tyre himself and drunk all the beer his spleen could take as he tubed down the Han Song. Fuck it, he’d have sailed all the way to Ho Chi Minh City on a tidal bore of Kingfisher Lager and crystal meth.
    But he wasn’t a kid any more. He wasn’t eighteen or twenty-one. He was thirty and he’d done enough faffing around; and anyway, these days, when he took drugs, especially something mindwarping like Thai sticks or magic mushrooms – it reminded him of his sister and the car accident and the memories that lay under his bed like childhood monsters. So he didn’t do drugs anymore.
    The light was nearly all gone.
    The languidly pretty local girls were riding mopeds in flip-flops and the mopeds had their headlamps on, the half-naked backpackers were buying dope cookies from shrewdly bemused hilltribe women. Jake pocketed his camera and made his way to the Kangaroo Sunset Bar.
    Ty was there. Tyrone J Gallagher. The