Beyond the Black River
naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon his skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.
    On his breast had been burned a curious symbol — a cold hand laid itself on McGrath’s spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.
    Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers. His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the crosspiece.
    Richard Ballville’s bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious; they blazed with desperate vitality. He lifted his head painfully and his gaze swept the room. Outside the window McGrath instinctively shrank back. He did not know whether Ballville saw him or not. The man showed no sign to betray the presence of the watcher to the bestial black who scrutinized him. Then the brute turned his head toward the fire, reaching a long ape-like arm toward a glowing iron — and Ballville’s eyes blazed with a fierce and urgent meaning the watcher could not mistake. McGrath did not need the agonized motion of the tortured head that accompanied the look. With a tigerish bound he was over the windowsill and in the room, even as the startled black shot erect, whirling with apish agility.
    McGrath had not drawn his gun. He dared not risk a shot that might bring other foes upon him. There was a butcher-knife in the belt that held up the ragged, muddy trousers. It seemed to leap like a living thing into the hand of the black as he turned. But in McGrath’s hand gleamed a curved Afghan dagger that had served him well in many a bygone battle.
    Knowing the advantage of instant and relentless attack, he did not pause. His feet scarcely touched the floor inside before they were hurling him at the astounded black man.
    An inarticulate cry burst from the thick red lips. The eyes rolled wildly, the butcher-knife went back and hissed forward with the swiftness of a striking cobra that would have disemboweled a man whose thews were less steely than those of Bristol McGrath.
    But the black was involuntarily stumbling backward as he struck, and that instinctive action slowed his stroke just enough for McGrath to avoid it with a lightning-like twist of his torso. The long blade hissed under his armpit, slicing cloth and skin — and simultaneously the Afghan dagger ripped through the black, bull throat.
    There was no cry, but only a choking gurgle as the man fell, spouting blood. McGrath had sprung free as a wolf springs after delivering the death-stroke. Without emotion he surveyed his handiwork. The black man was already dead, his head half-severed from his body. That slicing sidewise lunge that slew in silence, severing the throat to the spinal column, was a favorite stroke of the hairy hillmen that haunt the crags overhanging the Khyber Pass. Less than a dozen white men have ever mastered it. Bristol McGrath was one.
    McGrath turned to Richard Ballville. Foam dripped on the seared, naked breast, and blood trickled from the lips. McGrath feared that Ballville had suffered the same mutilation that had rendered Ahmed speechless; but it was only suffering and shock that numbed Ballville’s tongue. McGrath cut his cords and eased him down on a worn old divan near by. Ballville’s lean, muscle-corded body quivered like taut steel strings under McGrath’s hands. He gagged, finding his voice.
    “I

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