waxed to prevent the rain from penetrating it. At six o’clock in the evening, the bridal procession began streaming out of the archbishop’s palace, moving down the open-sided gallery toward the cathedral.
The bridal party was led by one hundred of the king’s Swiss Guards. The first two rows were a mixture of drummers and soldiers with blue and gold flags. Following the guards came a party of musicians. Twelve played upon oboes. There were eight drummers who were followed by the ten state trumpeters playing a fanfare. Following the royal musicians was the grand master of ceremonies behind whom strode knights of the Order of the Holy Ghost in jeweled capes. Next came seven royal heralds in crimson-and-gold-striped tabards.
The bridegroom’s representative, the duc de Chevreuse, was proceeded by three ranking noblemen. He was garbed in a black velvet suit, slashed to show its cloth-of-gold lining. On his head was a velvet cap sporting a magnificent diamond that glittered despite the dullness of the late afternoon. Behind him were the earl of Carlisle and Viscount Kensington in suits of cloth-of-silver.
The populace standing in the pouring rain on either side of the gallery struggled against each other, attempting to get the best glimpse of the wedding party and the court. Cries of “God bless the king” and “Good fortune to the princess” were heard by those moving along the gallery toward the platform and the cathedral. Most of the guests would pass through the raised, canopied flooring, and take their places within the cathedral. Only certain chosen ones would remain upon the dais to see the ceremony performed. Because the king of England was considered a Protestant, it was necessary to perform the wedding ceremony before the doors of the cathedral, but as all weddings had once been performed in this manner, little was thought of the arrangement. Afterward, a mass would be celebrated within Notre-Dame.
Among the chosen to view the wedding, India Lindley stood shivering as she drew her cloak about her. She should have worn her rabbit-lined cape, but it was not nearly as fashionable as the one she was wearing. She looked at the French courtiers in their magnificent clothing. She had never seen anything like it. It was utterly spectacular, and she felt like someone’s poor country relation. Her mother, of course, had fabulous jewelry which covered a multitude of fashion sins, but she and Fortune looked positively dowdy even in comparison to the bosomless eleven-year-old Catherine-Marie St. Laurent, whose claret-colored silk and cloth-of-gold gown was delicious.
“Here comes the bride,” Fortune singsonged next to her. Fortune was enjoying every moment of this colorful and marvelous show. It didn’t matter to her that her mother and sister looked like a pair of burgher’s daughters.
India focused her eyes upon Henrietta-Marie, who was escorted by both of her brothers, King Louis XIII, resplendent in cloth-of-gold and silver, and Prince Gaston, elegant in sky blue silk and cloth-of-gold. The petite sixteen-year-old bride was dressed in an incredible gown of heavy cream-colored silk embroidered all over with gold fleurs-de-lys, pearls, and diamonds. The dress was so encrusted with gold and diamonds that it glittered as she walked. On her dark hair was a delicate gold-filigreed crown, from whose center spire dripped a huge pearl pendant that caused the watching crowds to gasp.
“I have better,” murmured the duchess of Glenkirk, and her mother-in-law restrained her laughter.
Behind the bride and her brothers came the queen mother, Marie di Medici, wearing, as always, her black widow’s garb, but dripping with diamonds in recognition of the occasion. Finally came France’s queen, Anne of Austria, in a gown of cloth-of-silver and gold tissue, sewn all over with sapphires and pearls, leading the French court. The few English guests had already been brought to the raised and canopied dais to await the arrival