of chrysanthemums and lilies and roses and daisies and babiesâ breath and violets and even tulips (because itâs the right season) that are gasping for breath and slowly dying.
It galvanises her into action. The drooping flowers and fallen petals, brown on the edges like fingers curling inwards, she hastily gathers into plastic bags. She wipes a cloth over the surfaces, collecting dropped yellow and orange pollen. The vasesâwith their murky contentsâshe tips down the drain, holding her nose against the sewage smell of the water. She takes the garbage bags and flings them into the green bin, on top of the condolence cards that no one can bear reading. From then on, she turns the offerings away.
âSorry,â she says politely and kindly to their dearest of family and friends. âMumâs allergies have just gone mental. We canât have flowers in the house. But Mrs Mackadie at 22 or Mrs Olsen at 18 would love them. And they are just so beautiful. Thank you so much,â she says to their bewildered faces. âIâll let Mum and Dad know.â
Tess doesnât want to go to the funeralâbut has to. She wears a dress that she hates forever after.
She sits in the kitchen, waiting for her parents. Her mum has been up all nightâTess heard her as she drifted up and down the stairs.
The phone rings. Tess stares at it for the longest time. The phone threatens with its possibilitiesâwhen did it become like that?
âHello?â she finally answers.
Itâs Senior Detective Roberts; he wants to speak to her father.
Tess walks slowly up the stairs, carrying the detectiveâs breathing in her hand. Her parentsâ bedroom door is ajar. Her mum sits at the dressing table, twisting her hair into a ponytail. She smiles at Tess through the reflection: Tess is amazedâsheâs smiled.
âItâs the cop,â Tess says. She knows it sounds rude but she doesnât like saying his full title every time he calls. âHe wants Dad.â
âIâll take it,â her mum says, holding out her hand.
Tess is surprised but hands her the phone.
âYes,â she says, nodding at whatever is being said.
Tess sits on the end of the bed, watching her mum on the phone. Her make-up is flawless. Her bed smells like lavender.
âHe did?â Her mum sounds incredulous and looks at Tess, smiling again.
It makes Tess nervous.
âHeâs turned himself in?â She nods some more. âThanks. Itâs great news. Iâll tell Liam.â She presses âendâ on the phone and stands.
Tessâs dad walks in from the bathroom. âWho was it, Annelise?â he asks, but her mum rushes at him, wrapping her arms around his waist.
âTheyâve got him,â she saysâand she sounds so happy. âHeâs turned himself inâhim and his girlfriend.â
Her dad swings her mum around, her skirt making a graceful arc in the air. It looks like theyâve just won Lotto.
Tess picks at the doona cover. Theyâve got the driver. But so what? What difference does it makeâwill it ever make? What difference would it have made even if the driver had stopped? Brodie was instantly brain-dead.
Brain-dead, dead-head.
PART TWO
Chapter 3
Itâs dark at 5am. Tess stands at the car parkâs edge, jigging on the spot to keep warm. Her tracksuit is zipped over her chin, and inside the fleece she feels her hot breath. She watches the boats already out on the river; they cut perfect Vs through the water as the rowers pull hard in unison.
âIâll be back at six-thirty. Iâm sorry, kitten,â her dad says, squeezing her shoulder. âIâll get your gear ready at home. What about your uniform?â
She nods but doesnât lift her eyes from the team now passing in front of her. They work perfectly together; their rhythm is impressive. âYep, all done.â She doesnât want to look at him.
Rebecca Godfrey, Ellen R. Sasahara, Felicity Don