Banquet for the Damned Read Free Page A

eaten half the fucking food. And close that bloody window! It's cold enough in here without you freezing my nads off.'
'Who are you, my mother?'
'Damn right. Mother, father, priest, analyst.'
'You're just pissed because I get the chicks.'
'That's right, hundreds of screaming chicks who knock on the door at midnight, crying. Or phone every twenty minutes. I can do without that, mate. This is a new start, I've told you. Any of that crap and you're on the first train home.'
Music begins to drown him out. Guitar sounds crunch from four speakers and drum rhythms thunder around the cabin. It feels like the hits on the snare drum are interfering with his breathing. Tom lights another Marlboro and winks at him through the smoke. Then he fidgets on his seat and shakes his mane loose from neck to waist. On only one occasion in their long friendship has he seen Tom get serious enough not to fool around. It takes a death to rattle Tom.
He's about to say You're not going to ruin this . But he stops himself, remembering a vow against dwelling on Tom's philandering. It'll get him nowhere. Just accept it and let it go. Remember your purpose and focus on it, that's what Eliot Coldwell says – his mentor, his second chance, a man he would drive to the ends of the earth to meet. But whenever Tom so much as hints at his sexual history, his recollection stubbornly winds back to Imogen, Tom's most recent girlfriend. And the thought of her freezes Dante's stomach, and his notion of loyalty and brotherhood is challenged.
He shakes his head and whispers, 'Fuck it.' To think Tom's success with women used to make him a little proud. But now it only makes him think of Imogen – the woman he'd waited his whole life to meet, who fell in love with Tom. It was instant and obligatory.
In the Land Rover cabin, the music begins to die. One of Tom's tanned hands, the fingers heavy with silver rings, swivels the volume dial down. 'I love the summer!' he shouts, and frees his camera from a leather case. 'So much light. Look at this, 5 a.m., and I can take a picture of Birmingham. Something to remind you of home.' He winks and reaches across the handbrake to slap Dante's thigh. Clambering to his knees and then shuffling about-face, he photographs the apricot light that smoulders behind the black chimneys, lonesome spires and cuboid flats as Birmingham fades behind them, all set to a shimmer by the rattle of the Land Rover's passage across the tarmac.
Dante hits the stereo EJECT button and flips the Metal Church cassette onto the floor: too early for speed. That could keep him awake later. After searching for an alternative, he pulls one of the few remaining cassettes out of the rack and holds it before the big steering wheel to read the label.
AC/DC: Highway to Hell .
'Perfect,' he whispers, and slots the cassette into the stereo.
Dante stops at the Preston services at 9 a.m. His vision shakes, his buttocks burn, and his jaw is frozen. The War Wagon has no consideration for passengers. It is a piece of machinery craving short bursts on muddy fields, but they have given it four hundred miles of motorway to rattle across. They try to counteract the engine noise with music, and that only deafens them.
A shaky wheel-bearing is checked on the forecourt of the petrol station with a kick to the tyre. It seems secure, but the oil level in the reconditioned engine is right down. Dante pours two litres in and crosses himself. Something is steaming under the raised bonnet too, even though the water level is fine. Back pressure: not good. Or so he's been told by weary AA men in yellow jackets who often rescue him and Tom. But the War Wagon only has to get them to Scotland. After that, it can maroon them both for all he cares. He's never going back.
Staring at the cashier's booth, he watches a small Asian man inside restock a tiered rack with mints and gum. In front of the attendant he sees his own reflection on the glass, a lean and rangy spectre standing between sacks of