good, long minute. I check that everyone is looking at it. They need to remember this isnât just a case.
âLetâs get to it, people.â
The team files out of the room, heads down, minds full of the girlâs death mask. I study the paraphernalia of her life, now strewn across the desk in front of me. This is what her twenty-one years amounted to. The Mickey Mouse key-ring a small, fun-shaped reminder that for Aileen Banks, childhood had been just a few short years ago.
3
Mr & Mrs Kevin Banks live at Number 5 Anystreet, Anycity, UK, if you have an available three hundred grand. It is a new-build, red-brick, four-bedroom, homogenised version of what society labels ambition. It is bordered with a neatly mown lawn, perfectly sliced in the middle with a monoblock driveway. A black BMW four-wheel and a red Alfa Romeo Coupe, both with personalised number plates, are parked before a white-door double garage.
âNice,â says Alessandra Rossi.
âIf you like that sort of thing,â I respond.
âYou wouldnâtâ¦â
ââ¦thank you for it.â I do the mental equivalent of girding my loins. Exhale. Say, âLetâs go and rub salt into a tragedy.â
We walk down the drive, and the front door opens as we arrive.
âYouâll be the polis,â says the small, tidy man who opens the door. Heâs white-haired, wearing grey trousers, blue shirt, brown cardigan. Judging by the sad expression but apparent lack of real grief Iâm guessing heâsâ¦
âIâm the neighbour from number 3,â he provides helpfully and points. âThe bungalow there. Tom Sharp.â He shakes his head slowly. âSuch a terrible thing to happen to such a lovely wee family. Terrible. Just terrible.â
âDI Ray McBain,â I say. âAnd this is DC Alessandra Rossi. Can we come in?â
âSure, sure.â He steps to the side, allowing us entry. âKevin is in the front room,â he says in a whisper and points along a cream-coloured hallway. âJennieâs upstairs. The doctor sedated her.â
The hallway is painted in a neutral cream, and here and there the wall is dotted with family photographs. All of them show a smiling girl through her various growth spurts. Baby to teen. From this I read Kevin and Jennie Banks only have one child.
Tom walks ahead of us, and after a few quick steps he turns left through a doorway. We follow into a large kitchen-diner. A trim thirty-something male is sitting at a long pine dinner table. Heâs holding a soft toy in one hand. In front of him a white mug full of black coffee. Judging by the way heâs staring into space, my guess is that the drink has been ignored so long itâs gone cold.
âKevin, son,â says Tom, âthese police officers need a wee word with you.â He walks over to the hunched figure and places a hand on his shoulder. There is a delay before Kevin takes his eyes from the table top and looks at Tom as if he is a stranger.
âAye. Aye,â he rumbles.
Tom walks past us, back the way he came in as if desperate to get out of the house. As if grief was catching. âIâll, eh ⦠Iâll head off.â He makes an apologetic face. âKinda feeling in the way.â
âThanks, Tom,â I say and turn to Kevin Banks. Heâs now standing. Looks about six feet tall. Short black hair, greying at the temples. Navy pin-stripe trousers and white shirt with a patterned tie slung round his shoulders as if he was in the act of dressing for his day when the worst news possible arrived.
âCan I offer you guys a tea, or aâ¦?â His voice is deep, the accent wears the smooth song of the Highlands. The offer of a drink is prompted purely by conditioning, because judging by the way his arms are hanging by his side, the effort to coordinate the required actions would be too great. I realise itâs also a delaying tactic. Judging by