At the Bottom of the River

At the Bottom of the River Read Free Page A

Book: At the Bottom of the River Read Free
Author: Jamaica Kincaid
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bluebells fall to the cool earth, dying and living in perpetuity.
    Unusually large berries, red, gold, and indigo, sliced open and embedded in soft mud. The duck’s bill, hard and sharp and shiny; the duck itself, driven and ruthless. The heat, in waves, coiling and uncoiling until everything seeks shelter in the shade.
    Sensing the danger, the spotted beetle pauses, then retraces its primitive crawl. Red fluid rock was deposited here, and now the soil is rich in minerals. On the vines, the ripening vegetables.
    But what is a beetle? What is one fly? What is one day? What is anything after it is dead and gone? Another beetle will pause, sensing the danger. Another day, identical to this day … then the rain, beating the underbrush hard, causing the turtle to bury its head even more carefully. The stillness comes and the stillness goes. The sun. The moon.
    Still the sounds of voices, muted and then clear, emptying and filling up, saying:
    â€œWhat was the song they used to sing and made fists and pretended to be Romans?”

WINGLESS
    The small children are reading from a book filled with simple words and sentences.
    â€œâ€˜Once upon a time there was a little chimney-sweep, whose name was Tom.’”
    â€œâ€˜He cried half his time, and laughed the other half.’”
    â€œâ€˜You would have been giddy, perhaps, at looking down: but Tom was not.’”
    â€œâ€˜You, of course, would have been very cold sitting there on a September night, without the least bit of clothes on your wet back; but Tom was a water-baby, and therefore felt cold no more than a fish.’”
    The children have already learned to write their names in beautiful penmanship. They have already learned how many farthings make a penny, how many pennies make a shilling, how many shillings make a pound, how many days in April, how many stone in a ton. Now they singsong here and tumble there, tearing skirts with swift movements. Must Dulcie really cry after thirteen of her play chums have sat on her? There, Dulcie, there. I myself have been kissed by many rude boys with small, damp lips, on their way to boys’ drill. I myself have humped girls under my mother’s house. But I swim in a shaft of light, upside down, and I can see myself clearly, through and through, from every angle. Perhaps I stand on the brink of a great discovery, and perhaps after I have made my great discovery I will be sent home in chains. Then again, perhaps my life is as predictable as an insect’s and I am in my pupa stage. How low can I sink, then? That woman over there, that large-bottomed woman, is important to me. It’s for her that I save up my sixpences instead of spending for sweets. Is this a love like no other? And what pain have I caused her? And does she love me? My needs are great, I can see. But there are the children again (of which I am one), shrieking, whether in pain or pleasure I cannot tell. The children, who are beautiful in groupings of three, and who only last night pleaded with their mothers to sing softly to them, are today maiming each other. The children at the end of the day have sour necks, frayed hair, dirt under their fingernails, scuffed shoes, torn clothing. And why? First they must be children.
    I shall grow up to be a tall, graceful, and altogether beautiful woman, and I shall impose on large numbers of people my will and also, for my own amusement, great pain. But now. I shall try to see clearly. I shall try to tell differences. I shall try to distinguish the subtle gradations of color in fine cloth, of fingernail length, of manners. That woman over there. Is she cruel? Does she love me? And if not, can I make her? I am not yet tall, beautiful, graceful, and able to impose my will. Now I swim in a shaft of light and can see myself clearly. The schoolhouse is yellow and stands among big green-leaved trees. Inside are our desks and a woman who wears spectacles, playing the piano. Is a girl who

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