finding someone but over time had started to feel like the last remaining individual of a species, he said, a highly evolved bird with a highly evolved cry, his song unheard since he never shared it with anyone, and he’d even started to wonder whether perhaps the right female for him had become extinct, preceding him by days, decades or centuries; anything was possible, a tragic error in chronology or biodiversity.
The hours passed. I fetched the next round, and the next, Daniel having decided to continue his contemplation from afar. The girl was pretty, I conceded, with wide set eyes that focused on different corners of the pub, and she had an aura of the past that tends to cast a spell over nostalgic types.
Dispensing with our plans for an early night, we ordered a snack from the blackboard and settled further into the clamour of that Tuesday evening, Daniel’s attention looping in and out, and my own returning frequently to events in the Gallery that day.
A bell sounded through the pub. Last orders.
‘Go on,’ I urged him, ‘she’s just a girl with a jagged fringe and a wayward eye.’
But Daniel remained seated and when we got up to leave he shot one unreturned glance in her direction and followed me out; he knew as well as I, if not better, the danger of closing the distance even a fraction.
At night I prefer to take the bus home though it often means transferring. To descend into the brightness of the Tube cancels out the day’s end too brusquely, while buses do the opposite by carrying you through the pensive streets. I found a seat towards the back and settled in by the window, preparing myself for a quiet journey.
A masculine woman smelling strongly of roast coffee came to sit beside me. I tried to relax, the smell was quite pleasant, but the driver turned out to be extremely erratic, stepping on the accelerator at odd moments, lurching forwards along with the traffic, bolting the moment a clear strip opened up, each jerk knocking me against the passenger by my side, who didn’t react. As we zoomed past bags of rubbish awaiting dawn collection, yesterday’s debris ready to be carted off to make room for tomorrow’s, I thought about Leighton Crooke and how quickly he’d been removed from his chair at the Gallery. I’d sometimes watched him in the canteen, the museum juncture that best offered a glimpse into the lives of colleagues, not the most exciting glimpse but one nonetheless. Some individuals brought their own lunch, prepared by a spouse or themselves, the distinction apparent in the detail, others purchased hot food at the counter. Leighton Crooke always bought his food there at the counter, never anything from home as far as I could tell, and occasionally our trays would end up face to face. The widower was given to mood swings; sometimes he would talk about everything from rising bus fares to the proliferation of shopping bags in his kitchen cabinet, at others he would clunk himself down with a sullen expression and not extend more than a nod in my direction.
Like some of our more frequent visitors, a handful of individuals who’d come in regularly to look at people, not paintings, I sensed that Crooke found an escape from solitude in our museum, drawn to the airy space and soothed by its ebb and flow.
Roland too loved the ebb and flow, or so he claimed, Roland the former speed freak in search of stillness. He was proud of his new set of teeth, years of savings turned to enamel, and after speaking he’d clench his jaw to make sure nothing had come loose. His real teeth had gone years ago, first to grinding and then to rot, but now he was calm, as if the accelerator had been removed from his system. Once Daniel left the Gallery he quickly became my favourite colleague, and certainly the most handsome, with a face that looked more painted than real. As he stood between rooms, tall and creaky like an old wooden puppet, I’d scarcely notice he was in uniform.
The 38 bus
Cecilia Aubrey, Chris Almeida