very little dress, and yellow, but it suits Elaine, as most things do. “Do you want to come to a party?” Elaine asks Yvette.
The girl, who is zipping up another little dress, blinks as slowly and mechanically as a doll as she considers. “Yes,” she says. “That would be very nice.” Joan is disappointed even though she likes Yvette, finds her dippy and harmless. Yvette was born in France and retains traces of an accent and of continental diffidence even though she has lived in New York since kindergarten. But Joan is becoming nostalgic in anticipation of the end of her ballet life and had imagined the night as belonging to her and Elaine, a memory just for the two of them, although Elaine will probably vanish as soon as they get wherever they’re going. She has a way of vaporizing at parties, being immediately absorbed into the revelry.
Outside, the three of them find a taxi heading downtown. The city’s summer breath rushes forcefully in through the windows, smelling of garbage and gasoline, and they recline in the warm air, saying little, worn out but also energized, their blood circulating smoothly, as though the performance had swept their veins clean. Joan is already too hot in her jeans and borrowed top. She envies the others’ little dresses even though their bare legs must be sticking to the grimy vinyl seat cover. The driver peeks in the mirror, the silver rim of his glasses catching red and green sparks from the traffic lights. He handles the wheel gently, cautiously, with his plump hands. Most cabbies flirt a bit when the dancers are out together, make some suggestion about where they should go, comment on how nice they all look, but he doesn’t. He takes his glances in the mirror, like someone peeping over a fence.
The party is near Astor Place, in a brick building with peeling yellow paint and a fire escape made out of rust. It is not Elaine’s usual sort of glitzy, careening, pill-popping party but somethingelse, just a party, a humid crowd of languid people gathered in a smoky apartment. Edith Piaf warbles from the stereo. Joan didn’t need to have worried about Yvette. The girl takes the French music as a sign of welcome and sets off for the table of bottles in the far corner, greeting strangers as she goes with little sideways bonjours .
“Drink?” Elaine says.
“No, I need to drop weight.”
Elaine takes a pack of cigarettes from her purse. “Want one?”
“No, thanks.”
A knowingness hovers around Elaine’s pursed lips and raised eyebrows as she lights up.
About Yvette, Joan says, “I don’t know why she still does this French act.”
“She’s just French enough to pretend to be French. I don’t know—look at her. It works. I should think it’s obnoxious, but I don’t.”
They look together through the people. At the makeshift bar, Yvette is smiling up at a tall and gorgeous black man. She cuts her eyes to the side, murmurs something out the corner of her mouth, making him lean in.
“I’m going to get a drink,” Elaine says. “And hopefully a very tall man.”
Joan grabs her arm. “No, don’t. I’ll never see you again. You’ll disappear.”
“This place is tiny.”
“You have a way.”
“Come with, then. Five steps that way. We can rope ourselves together first if you want.”
Joan follows. “How did you know about this party?”
“I went home with the guy whose apartment this is a couple months ago, and then I ran into him the other night. He said he was having a thing. I wasn’t going to come, but then you … he’s—where is he?—oh, he’s that one.” She points through the crowd to a pale head with full pale lips and small pale eyes. The head, partially obscured by a woman’s red curls, nods in a courtly way, smiles slyly.It is the smile of a man who knows women like to think they are being amusing.
“He’s handsome.”
“Isn’t he? I thought so.” Elaine pours bourbon into a mug and offers the bottle. “You sure?”
Joan
David Drake, S.M. Stirling
Kimberley Griffiths Little