wail of the sirens as the ambulance and police cars arrived shortly afterwards.
Later that afternoon, Force Three called the press and claimed responsibility for the killing. Max Webber had declared war on them, and for that reason he had to die. In the same phone call they issued a stark warning. They had already chosen their next target. And they were planning something the world would not forget.
THE BOY IN ROOM NINE
The nurse was twenty-three years old, blonde and nervous. This was only her second week at St Dominic’s, one of London’s most exclusive private hospitals. Rock stars and television celebrities came here, she had been told. There were also VIPs from abroad. VIPs here meant very important patients. Even famous people get sick, and the ones who wanted to recover in five-star comfort chose St Dominic’s. The surgeons and therapists were world class. The hospital food was so good that some patients had been known to pretend they were ill so that they could enjoy it for a while longer.
That evening, the nurse was making her way down a wide, brightly lit corridor, carrying a tray of medicines. She was wearing a freshly laundered white dress. Her name—D. MEACHER—was printed on a badge pinned to her uniform. Several of the junior doctors had already placed bets on which of them would persuade her to go out with them first.
She stopped in front of an open door. Room nine.
“Hello,” she said. “I’m Diana Meacher.”
“I’m looking forward to meeting you too,” the boy in room nine replied.
Alex Rider was sitting up in bed, reading a French textbook that he should have been studying at school.
He was wearing pyjamas that had fallen open at the neck and the nurse could just make out the bandages criss-crossing his chest. He was a very handsome boy, she thought. He had fair hair and serious brown eyes that looked as if they had seen too much. She knew that he was only fourteen, but he looked older. Pain had done that to him. Nurse Meacher had read his medical file and understood what he had been through.
In truth, he should have been dead. Alex Rider had been hit by a bullet fired from a .22 rifle from a distance of almost seventy-five metres. The sniper had been aiming for his heart—and if the bullet had found its target, Alex would have had no chance of surviving. But nothing is certain—not even murder. A tiny movement had saved his life. As he had come out of MI6’s headquarters on Liverpool Street, he had stepped off the pavement, his right foot carrying his body down towards the level of the road. It was at that exact moment that the bullet had hit him, and instead of powering into his heart, it had entered his body half a centimetre higher, ricocheting off a rib and exiting horizontally under his left arm.
The bullet had missed his vital heart structures, but even so it had done plenty of damage, tearing through the subclavian artery, which carries blood over the top of the lung and into the arm. This was what Alex had felt when he was hit. As blood had poured out of the severed artery, filling the space between the lung and the thoracic cage, he had found himself unable to breathe. Alex could easily have died from shock or loss of blood. If he had been a man he almost certainly would have. But the body of a child is different to that of an adult. A young person’s artery will automatically shut itself down if cut—doctors can’t explain how or why—and this will limit the amount of blood lost. Alex was unconscious but he was still breathing, four minutes later, when the first ambulance arrived.
There wasn’t much the paramedics could do: IV fluids, oxygen and some gentle compression around the bullet’s point of entry. But that was enough. Alex had been rushed to St Dominic’s, where surgeons had removed the bone fragments and put a graft on the artery. He had been in the operating theatre two and a half hours.
And now he was looking almost as if nothing had happened. As the
A. A. Fair (Erle Stanley Gardner)