strategies for change had made her feel so much better about herself.
Laura felt reasonably normal, though she never lost the feeling of being in jeopardy, or visualizing Colinâs angry face many times a day. She knew with a certainty Colin would have begun tracking her, most probably through some investigation agency, but sheâd been surprisingly adept at getting away. How had she allowed him to make her feel so incompetent when all her life up to that point sheâd been regarded as very bright? Such was the pain-inducing power of the domineering male.
Now, with Sarahâs help, she was beginning to stop blaming herself for the disastrous failure of her marriage. She was beginning to see Colin had worked so hard to instill in her a sense of worthlessness he had almost succeeded. Sarahâs opinion of Colin as a sociopath, a condition in which he considered himself beyond the normal rules, was that he was the one who truly needed counselling.
Laura was young, inexperienced, grieving for her father, lonely for her motherâill-prepared to cope with a man like Colin Morcombe with his anger and aggressions.
As soon as she felt stronger and more confident Sarah would encourage her to do something about her situation. Liberate herself from Colin and the bonds he had forced on her. Divorce him and change her life.
It sounded simple but Laura, the victim, like all other victims of abuse, knew it wasnât. She had suffered far too much emotional damage living with Colin, but she wasnât beyond repair. Though Colin had tried so very hard to break her she had found the strength to make her escape.
But for how long? Colin would come after her. Hadnât he near convinced her there was no way out?
All this Laura thought as she drove around the town, looking for the best place to live. Koomera Crossing boasted a picture-postcard town. It was very neat and clean with a lot of picturesque colonial buildings, but the majority of the houses she drove past were humble compared with what sheâd been used to.
Her own family home, the house where she had grown up, now sold to family friends who had always admired it, was a gracious âQueenlanderâ, set in a large garden, a luxurious tropical oasis, that had been her motherâs pride and joy.
Laura and Colin had lived in a starkly modern edificeâsheâd never thought of it as âhomeââwith a commanding view of the river and the city. An architect friend of Colinâs had designed it. There had been much talk of clean, open spaces, energy flow and creative processesâabout which, for all the notice they took of her, she knew nothing. When she had attempted to say what she liked both men had shrugged her and her opinions off. The client was Colin. Not his wife. Her needsâwarmth, colour, comfortâwere just too âpreciousâ. Traditional was out. What they got, to Colinâs delight, was a massive white pile. Geometric and pompous.
âLetâs keep the whole thing white,â Colin had suggested, as though she had any say in the matter. âInside and out. You have to think modern, darling. Not that Gone With theWind old barn you came from. Try to look happier. Most women would be very excited about living in our house. If you want a bit of colour you can get it from steel and glass. Glass has a beautiful blue-green edge.â
The houses she was driving past, cottages with tiny porches, would have fitted comfortably into their living room, with its giant sofas and huge abstract paintingsâmostly black, silver or charcoal on white.
âChallenging,â Colin had said, the self-deluded art connoisseur.
âWhy do we need a living room so big?â sheâd been brave enough to ask.
âFor entertaining, you silly goose. Thatâs if you ever become confident enough to try it.â
They rarely had entertained.
âYou poor kid, stuck with this!â her friend, Ellie had
Gene Wentz, B. Abell Jurus