contracts. GREG Butâ CHLOE I'll be back Monday at noon. The first article can go out on Saturday. GREG I'll have to talk to my editor butâ CHLOE I liked how you called me Miracle Girl. I like how it feels in my mouth. Chloe Evans. Miracle Girl. See ya Monday. SCENE THIRTEEN Shift. To the audience. GREG And so it begins. CHLOE I get what I want. MATHEW I go to the library every day now. To watch over her. GREG My editors are worried about the legalities of it. They talk to their lawyers. The police are actually happyâ MATHEW Her dad doesn't even walk her home anymore. I watch her walk home all alone. GREG We all assume there's a dangerous person on the loose. But no one can get mad at her for not giving up that person because she's probably a victim of unimaginable trauma. So now everyone's going to be looking at me. MATHEW She just seems so sad. So lonely. GREG My editor: "Don't fuck this up, Greg." My colleagues: "Who'd you sleep with to get that?" The people: "Greg who?" Everyone thinks I'm going to screw up. CHLOE Everyone thinks I'm going to slip up. MATHEW I spend hoursâ GREG Researching. MATHEW Planning. CHLOE Deciding. GREG Past cases. Stockholm syndrome. Victims of violence. Sexual abuse. I have to do her story justice. I have to do her justice. MATHEW I'll take such good care of her. Teach her everything I know. Give her the proper meals, books, lessons. CHLOE I'm excited. MATHEW Nervous. GREG So nervous. It isn't right. A series shouldn't be published as you go. MATHEW Because anything could go wrong. GREG I don't get to plan it out. She could just quit and thenâ MATHEW But I feel like I have a duty to her. GREG To help her. MATHEW To save her. GREG And if this is what she wants thenâ CHLOE Miracle Girl Speaks. GREG The first article comes out. I write about what it feels like to be back in the world. How she spends her days. What she thinks of her social workers, her tutors. MATHEW Her dadâ CHLOE I won't talk about my dad. Ever. MATHEW I'm teaching him a lesson. GREG We run a big picture to go with it. People react instantly. They feelâ CHLOE I feelâ GREG Compassion MATHEW Motivated. CHLOE Powerful. GREG Like I have purpose. MATHEW For the first time in a long time. GREG For the first time in a long time. SCENE FOURTEEN Shift. GREG's condo. GREG I tried to call you. We really should meet in my office. CHLOE I like it here. Everyone liked the article. GREG People are impressed by you. CHLOE People are dumb. What did they think? I'd come back some idiot? GREG They're just surprised thatâ CHLOE Well they shouldn't be. GREG Right. Do you want anything? You comfortable? Today's a big day. The first day we get into your story. You ready for that? CHLOE You seem nervous. GREG Why don't we just dive in? I'd like to start with you telling me about the last day you were seen. CHLOE Can't. Could lead you to who it is. GREG So you do admit that you were taken. CHLOE Duh. GREG Had you ever seen or spoken to this person before? CHLOE Never said that. GREG So you didn't know them? CHLOE Never said that. GREG Okay⦠Take a minute and try to figure out a way to tell me about that day without any incriminating evidence. You can describe if he put you in a car, if he wanted to show you something in his house. I'm not saying that's what it was, but those kinds of details will help paint a picture ofâ CHLOE How do you know it's a he? GREG That's just an example. You can write it out first if that's easier. Make some notes. I'll wait. CHLOE I don't want to write it out. That's why I have you. My turn. You get to ask questions, I get to ask questions. You want me to feel comfortable, don't you? GREG Of course butâ CHLOE Then I need to get to know you. My turnâ GREG But you haven't answered my question yet. CHLOE Yes, I did. I said I can't