âBut heâs supposed to be back by six for dinner. I . . . I could call him, too.â
âNo,â I say. âIâll wait.â
Thereâs a pounding on the door, and then the door bursts open, and Aunt Hannah runs into the room, and she looks at me, and just like Mom, she doesnât recognize me at first, but then she does. She takes a step toward me as if sheâs going to grab me and hug me like Mom did, but sheâs looking behind me, to either side of me, around the room, as if sheâs looking for someone, and she keeps looking, even though itâs obvious that thereâs no one else here.
âWhere is she?â she asks. She looks from me to Mom.
Neither of us says anything. I look at the ground.
âWhere is she?â she yells.
Mom stands. âHannah, she needs time.â
â
Where is she?
â my aunt cries. Tears stream down her face. â
Where is she?
â
I cover my face with my hand. I canât look at her, so desperate. I know how she feels, what she wants, what sheâs lost.
â
Where is she?
â Her voice echoes in my head, and so does the answer. The words I canât say, the images I canât see, the truth I canât even let myself think.
And then the cops come.
Iâm in Amyâs old room, sitting in the desk chair.
A woman in a black uniform asks me questions in a soft voice.
What is your name?
âAmy MacArthur.â
How old are you?
âSixteen.â
Is Dee Springfield alive?
. . .
Amy, I donât want to hurt you. I donât need to know the whole story right now. I just need to know if Dee is alive. I need to know so that we can help her.
. . .
If you donât want to say it, you can nod. You can nod yes or no. Can you do that?
I keep myself still. I donât move my head at all. I stare at the ladyâs stomach. I watch her uniform shirt flutter as she breathes in and out.
Just a yes or no, honey.
. . .
Where is the person who did this?
Was it a man?
Was it more than one person?
Amy, I want to help you. I want to make sure youâre safe.
âIâm safe,â I say.
Is he dead? Is that why youâre safe?
Did he promise not to find you?
Did he make you promise not to tell?
I stare at her stomach until she takes her stomach away, and then Iâm staring at the wall. Thereâs a framed picture of Amy and Jay when Amy was ten, the studio kind of picture with a weird colored background, and their faces are frozen into awkward smiles. Amy has long hair, and itâs a lighter brown with tinges of blond still running through it. I remember when we took that picture. It was the last summer Amy was here.
Mom comes into the room. She puts her arm around my shoulders and brushes the greasy hair out of my face. âThe police want you to talk to someone,â she says. âThis person can help you tell them what they need to know so they can find Dee.â She gets down on her knees and looks up at me, just like she used to do when I was little. âAnd if they canât help her, then they need to know that, too. Aunt Hannah needs to know that. And Lee. They both need to know what happened to her.â
I stay where I am, and another woman comes in. Sheâs wearing jeans and she looks a little frazzled, like someone who just got called somewhere on a Sunday and doesnât know what sheâs getting into. She sits on the floor, because thereâs nowhere else in this room to sit. And then she tells me sheâs apsychologist, and she works with victims of abuse and sexual assault and kidnapping and all kinds of things. And everything Iâm feeling is normal.
I stare over her head.
She talks, and she asks. And she talks.
âIâm tired,â I say. And itâs true, but itâs also a lie, because my heart is still pounding. Sweat pours from my skin, and sitting still is the hardest thing Iâve ever done.