Dunc. âThis area is off limits. How did you two get in here?â
Dunc cleared his throat. âUhum.⦠We have a key. Weâre the cleaning crew.â
âThe cleaning crew. Thatâs a good one! You little twirps are after an autograph, just like the rest of the dolts who listen to Road Kill.â
Amos peeped out from behind Dunc. âThatâs not true, mister. Itâs like this. My friend here was trying to help me earn money because I flooded my momâs room and my sister stole my money, and Melissa likes these guys, soââ
âIâll give you punks exactly five seconds to clear out of here.â
âHold off, Mange.â Roy and the band walked in from the stage door. âI invited them.â
The redheaded man glared at him. âAre you out of your mind? You of all people should know we canât afford to trust anybody. You know whatâs been happening lately.â
âThese two are okay.â Roy picked up his guitar. âThey can stay.â
Mangeâs look turned ugly. His eyes narrowed. He spun around and stomped back toward the office door.
âWhew.â Amos sat on the stage steps. âThat guy is scary.â
âDonât let him bother you.â Roy winked at them. âHe thinks because heâs our manager, and because he used to have his own band, that heâs in charge around here.â
The drummer, a thin guy with a long pointed nose, greasy hair, and beady eyes, sat down on his stool and picked up his sticks. âWe gonna play or what?â
Roy frowned. âThis charming fellow is Lizard. Heâs a heck of a drummer but a little short on manners. The one that looks like a mountain plays bass. We call him Horse. The lead guitar is Hairball.â
The expressions on the band membersâ faces didnât change. They stared at the boys like stones.
Amos glanced from Horse to the one they called Hairball. He looked like a round puff of fuzz. It was hard to tell if there was even a body under all that hair unless he moved.
Dunc pulled Amos toward the first row of seats. âWhy donât we just sit over here, out of your way, so you can practice?â
Roy laughed. âDonât mind these guys. Theyâve been on the road so long, theyâve forgotten how to be normal.â
The drummer hit his sticks together four times and the band started playing. They were loud and the song they were working on was about either smashing things and hurting people or running over a cow with a locomotiveâDunc couldnât quite tell which for sure.
When they were finished, Roy turned to the boys. âWell? What did you think?â
Dunc scratched his head. âTo tell you the truth, Roy, I think it wasââ
Amos elbowed him. âInteresting. He was about to say your music was definitely interesting.â
After a few more songs, Roy turned to the band. âThatâs enough for today. You guys can go get some sleep. Weâll practice again tomorrow before showtime.â He sat down on the edge of the stage and hung hislegs over the side. He looked at Dunc, who had a look on his face like he had just swallowed cod liver oil. âI canât say I blame you for not liking it. Iâm not too crazy about it myself.â
âThen why do you play it?â Dunc asked.
Roy shrugged. âMange wrote it. He says itâs the kind of music the kids want nowadays. Mange says if you want to stay on top, you have to play what kids like.â
âAmos and I are kids, and we donât like it.â
âYes, we do,â Amos blurted. âWell â¦Â sort of.â
Roy looked up. âMaybe you have a point. If I had my way, Iâd play my own stuff.â He reached back for his guitar. âSongs like this one.â
Roy started playing. The song had a rowdy beat, but the words were different from before. There were more of themâit actually had lyrics. It
Katherine Garbera - Baby Business 03 - For Her Son's Sake