going through his mind. Maybe he was imagining a life with the woman in the movie, who was so different from his thin, nervous, and beautiful wife. As we drove away from the movie theater, on one of those broad highways with nothing ahead or behind but taillights and headlights and nothing on either side but darkness, all I wanted to do was go out into the middle of the desert, as far away as possible from everything I had known all my life, and from the university where I was teaching and the towns and the city near it with all the intelligent people who lived and worked in them, writing down their ideas in notebooks and on computers in their offices and their studies at home and taking notes from difficult books. I wanted to leave all this and go out into the middle of the desert and run a motel by myself with a little boy, and have a worn-out cowboy come along, a worn-out middle-aged cowboy, alcoholic if necessary, and marry him. I thought I knew of a little boy I could take with me. Then all I would need would be the aging cowboy and the motel. I would make it a good motel, I would look after it and I would solve any problems sensibly and right away as they came along. I thought I could be a good, tough businesswoman just because I had seen this movie showing this good, tough businesswoman. This woman also had a loving heart and a capacity to understand another fallible human being. The fact is that if an alcoholic cowboy came into my life in any important way I would probably criticize him to death for his drinking until he walked out on me. But at the time I had that strange confidence, born of watching a good movie, that I could be something different from what I was, and I started listening to country Western music on the car radio, though I knew it wasnât written for me.
At that point I met a man in one of my classes who seemed reasonably close to my idea of a cowboy, though now I canât tell exactly why I thought so. He wasnât really like a cowboy, or what I thought a cowboy might be like, so what I wanted must have been something else, and the idea of a cowboy just came up in my mind for the sake of convenience. The facts werenât right. He didnât work as a cowboy but at some kind of job where he glued the bones of chimpanzees together. He played jazz trombone, and on the days when he had a lesson he wore a dark suit to class and carried a black case. He just missed being good-looking, with his square, fleshy, pale face, his dark hair, mustache, dark eyes; just missed being good-looking, not because of his rough cheeks, which were scarred from shrapnel, but because of a loose or wild look about him, his eyes wide open all the time, even when he smiled, and his body very still, only his eyes moving, watching everything, missing nothing. Wary, he was ready to defend himself as though every conversation might also be something of a fight.
One day when a group of us were having a beer together after class, he was quiet, seemed very low, and finally said to us, without raising his eyes, that he thought he might be going to move in with his father and send his little girl back to her mother. He said he didnât think it was fair to keep her because sometimes he would just sit in a chair without speakingâshe would try to talk to him and he wouldnât be able to open his mouth, she would keep on trying and he would sit there knowing he had to answer her but unable to.
His rudeness and wildness were comfortable to me at that point, and because he would tease me now and then, I thought he liked me enough so that I could ask him to go out to dinner with me, and finally I did, just to see what would happen. He seemed startled, then pleased to accept, sobered and flattered at this attention from his professor.
The date didnât turn out to be something that would change the direction of my life, though thatâs not what I was expecting then, only what I thought about afterwards. He was