buildings of the polio camp. âItâs just a bunch of sick kids.â
She shook her head. âNo, not here. But, you know, I think maybe . . . maybe this place wouldnât be so bad.â
âSick. Kids. Just, like, buckets of sick kids all around being sick. Not my idea of a fun place.â
âYou donât understand,â SofÃa said. âWhen youâre sick with, like, a terminal illness, something you live with forever, there are very few moments you can forget about it. Itâs like a lead weight inside your chest, cracking your ribs. Every time you move, you can feel that weight shifting inside of you. But then there are moments when, for whatever reason, the weight goes away. You forget youâre sick. I bet this camp was full of those moments. Thatâs what Iâd want to see. Thatâs what I want to feel.â
She was right. I didnât understand.
âSo where do you want to go?â I asked, still unsure of this wild mood of hers.
SofÃa looked off into the distance, toward the ocean and the sun and forever, but she couldnât see any of that. âI want to go somewhere far away.â
She didnât bother explaining any further. She just kept walking. I donât think she was going anywhere in particular, but we headed toward the state park. I thought about running back to get her abandoned red shoes so she wouldnât have to walk on the splintery wood of the boardwalk, but she veered left, where the ground was soft.
I look around me now. Any minute, past-me and past-SofÃa will come around the bend and be standing right in front of me, at the chimney. Itâs where SofÃa took me that day, right before she whirled around, her eyes blazing, her long, dark hair whipping back, and said: âHere.â
âHere?â
âCan you take me back to this place? Back when there was just one family on the island, the ones who built this house?â
âIt wasnât built here,â I said. âIt was built in Salem.â
âFine, then when the house was moved here. To . . .â Sheturned around, her eyes scanning the plaque. âLetâs go back to 1692.â
âI . . . um . . .â
âYou can do it, right?â
âYeah,â I said immediately, wanting to impress her, to erase the doubt in her voice. âIâve been back further than that. Itâs just . . . why?â
âI want to go away. I want to be as far away from this world as possible. Take me back further than 1692, I donât care. Letâs go to the days when Native Americans were here. Letâs go further. Letâs go to the dinosaurs.â
All my muscles were tense, and I moved very carefully, like I would if there were a wild animal in front of me. âIâve never been that far back before,â I said. I regretted telling her that I could take her back. I wanted to wrap her up in my arms and hold her tight, not fling her through time and space. I didnât realize it then, but a part of me sensed that she was running away, and I didnât want to let her go, even if I was going with her.
âI donât care, I justââ Her voice cracked. âI need to escape.â
I took a deep breath and grabbed both her hands in mine. I didnât know what was wrong with her, but I knew I would do anything to make her happy. As I was holding her, I called up the timestream. I saw it expanding out from the two of us, strings erupting in every direction, each one linked to a different time and place. She couldnât feel it; she didnât react at all as I focused on the date engraved on the chimney, on the house that once contained it, on the island of the past.
And then we were there.
We had been standing among ruins; we were now standing in front of a chimney with bright red bricks streaked withsoot. A roaring fire blazed at the bottom, casting SofÃa