didn’t seem disturbed.
I walked on to the lock to wait for him. There was a delicious smell of cooking and the woman was talking to a neighbour. The lock was just at the entrance to a small town. Ford joined me. The woman said she recommended soup and fish. We said we would go into the town and buy a bottle of wine. She offered to send her son, who was dressed in a sort of smock like an old-time agricultural labourer, but we insisted on going. As we went Ford said to me, ‘Have you noticed that men don’t like wearing anything that comes below the knee?’
T.S. Eliot
I was working one day for a poetry competition and had written one line—‘Beauty makes crime noble’—when I was interrupted by a criticism flung at me from behind by T.S. Eliot. ‘What does that mean? How can crime be noble?’ He had, I noticed, grown a moustache.
W.H. Auden and Evelyn Waugh
Rather strange circumstances brought the two writers together. I had been part of a group who had managed to beat a gang of guerrillas, but the chief of the gang, Wystan Auden, had escaped. He was hidden somewhere in the brushwood which we were carefully searching. I had armed myself with a kitchen knife, for he was the most dangerous of our enemies. Suddenly he broke cover and dashed into a nearby house. He had been shot by Evelyn Waugh and was bleeding from his wounds.
I followed him and stuck my kitchen knife into his side, but he seemed unhurt by my blow and began a literary discussion of which, strangely enough, I can remember nothing.
Next night I found myself at a party, again with Auden, and I do remember our conversation then. I expressed my preference for living in England rather than in the United States because English literature was far richer than American. Shakespeare made all other writers into dwarfs and there could be no jealousy among dwarfs. American literature, having no such giant, gave room for jealousy.
Auden replied that all the same he was content in America. Although he was no scientist, he held a position in the science faculty of the university. He gave an impression of lazy well-being, tilted back in his chair.
I said, ‘It would be fun if you could discover one small scientific principle so that we could speak of “The Auden Digit”.’
Our hostess now left us alone, saying, ‘Help yourselves to drinks.’ We both agreed that the larger the bottle of whisky, the easier it was to welcome her invitation.
D.H. Lawrence
It was the Duke of Marlborough who introduced me to D.H. Lawrence. I found him younger and better groomed than I had expected. He was quite friendly towards my work.
Sartre
I remember having a discussion with Sartre. I had made notes of various questions to ask him, and I tried to be very precise. I apologized for the badness of my French, which prevented me from being as precise as I wanted to be, and Sartre said kindly, ‘You speak French very well, but,’ he added, ‘I don’t understand a word you say.’
Then he became amiable and referred to a book of mine which Robert Laffont had published in France, the English title being
The Origin of Brighton Rock
. It was a reproduction of a childish manuscript in brown ink—a story with animal characters—and it was illustrated by Beatrix Potter. Sartre very much admired her drawings, but he said nothing of my writing.
Solzhenitsyn
I met Solzhenitsyn one day in 1976, with another man who was speaking of a new magazine he was planning, and I suggested he should ask Solzhenitsyn to contribute to the first six numbers. He repliedvery insultingly that he couldn’t bear Solzhenitsyn’s small eyes and his high hypocritical moral tone.
On another occasion I was giving a party for Solzhenitsyn, who seemed to be known more as a painter than as a novelist, in my apartment in Moscow, which was crowded with pictures even along the passages. He was late and I had my doubts whether he would be allowed to come. I had left the door ajar to show that we were not afraid.