name, without assuming any new one. I think it’s still there.
It was as though I’d been left with the empty street
A few seconds after the bus pulled out. A dollop of afternoon wind.
Others tell you to take your attention off it
For awhile, refocus the picture. Plan to entertain,
To get out. (Do people really talk that way?)
We could pretend that all that isn’t there never existed anyway.
The great ideas? What good are they if they’re misplaced,
In the wrong order, if you can’t remember one
At the moment you’re so to speak mounting the guillotine
Like Sydney Carton, and can’t think of anything to say?
Or is this precisely material covered in a course
Called Background of the Great Ideas, and therefore it isn’t necessary
To say anything or even know anything? The breath of the moment
Is breathed, we fall and still feel better. The phone rings,
It’s a wrong number, and your heart is lighter,
Not having to be faced with the same boring choices again
Which doesn’t undermine a feeling for people in general and
Especially in particular: you,
In your deliberate distinctness, whom I love and gladly
Agree to walk blindly into the night with,
Your realness is real to me though I would never take any of it
Just to see how it grows. A knowledge that people live close by is,
I think, enough. And even if only first names are ever exchanged
The people who own them seem rock-true and marvelously self-sufficient.
Thank You for Not Cooperating
Down in the street there are ice-cream parlors to go to
And the pavement is a nice, bluish slate-gray. People laugh a lot.
Here you can see the stars. Two lovers are singing
Separately, from the same rooftop: “Leave your change behind,
Leave your clothes, and go. It is time now.
It was time before too, but now it is really time.
You will never have enjoyed storms so much
As on these hot sticky evenings that are more like August
Than September. Stay. A fake wind wills you to go
And out there on the stormy river witness buses bound for Connecticut,
And tree-business, and all that we think about when we stop thinking.
The weather is perfect, the season unclear. Weep for your going
But also expect to meet me in the near future, when I shall disclose
New further adventures, and that you shall continue to think of me.”
The wind dropped, and the lovers
Sang no more, communicating each to each in the tedium
Of self-expression, and the shore curled up and became liquid
And so the celebrated lament began. And how shall we, people
All unused to each other and to our own business, explain
It to the shore if it is given to us
To circulate there “in the near future” the why of our coming
And why we were never here before? The counterproposals
Of the guest-stranger impede our construing of ourselves as
Person-objects, the ones we knew would get here
Somehow, but we can remember as easily as the day we were born
The maggots we passed on the way and how the day bled
And the night too on hearing us, though we spoke only our childish
Ideas and never tried to impress anybody even when somewhat older.
But What Is the Reader to Make of This?
A lake of pain, an absence
Leading to a flowering sea? Give it a quarter-turn
And watch the centuries begin to collapse
Through each other, like floors in a burning building,
Until we get to this afternoon:
Those delicious few words spread around like jam
Don’t matter, nor does the shadow.
We have lived blasphemously in history
And nothing has hurt us or can.
But beware of the monstrous tenderness, for out of it
The same blunt archives loom. Facts seize hold of the web
And leave it ash. Still, it is the personal,
Interior life that gives us something to think about.
The rest is only drama.
Meanwhile the combinations of every extendable circumstance
In our lives continue to blow against it like new leaves
At the edge of a forest a battle rages in and out of
For a whole day. It’s not the