teeth, he howls and claws at his broken nose and bloody mouth.
Spin, kick, sidestep, strike.
Behind me, Laia screams. An aux hauls her out of the alcove by her neck and holds a knife to her throat. His leer turns into a howl. Laia’s shoved a dagger into his side. She yanks it out, and he staggers away.
I turn on the last three soldiers. They flee.
In seconds, I collect my knives. Laia’s whole body shakes as she takes in the carnage around us: Seven dead. Three injured, moaning and trying to rise.
When she looks at me, her eyes grow round in shock at my bloodied scims and armor. Shame floods me, so potent that I wish I could sink into the ground. She sees me now, down to the wretched truth at my core.
Murderer! Death himself!
“Laia—” I begin, but a low groan rolls down the tunnel, and the ground trembles. Through the sewer grates I hear screams, shouts, and the deafening reverberation of an enormous explosion.
“What in the hells—”
“It’s the Scholar Resistance,” Laia shouts over the noise. “They’re revolting!”
I don’t get to ask how she happens to know this fascinating tidbit, because at that moment, telltale silver flashes from the tunnel to our left.
“Skies, Elias!” Laia’s voice is choked, her eyes wide. One of the Masks approaching is enormous, older than me by a dozen years and unfamiliar. The other is a small, almost diminutive figure. The calmness of her masked face belies the chilling rage that emanates from her.
My mother. The Commandant.
Boots thunder from our right as whistles draw even more soldiers.
Trapped
.
The tunnel groans again.
“Get behind me,” I snap at Laia. She doesn’t hear. “Laia, damn it, get—
ooof—
”
Laia dives straight into my stomach, a graceless, desperate leap so unexpected that I topple back into one of the wall crypts. I punch straight through the thick cobwebbing over the crypt and land on my back atop a stone coffin. Laia’s half on top of me, half wedged between the coffin and the crypt wall.
The combination of cobwebs, crypt, and warm girl throws me, and I’m barely even capable of stuttering, “Are you cra—”
BOOM.
The ceiling of the tunnel we were just standing in collapses all at once, a thunderous rumble intensified by the roar of explosions from the city. I flip Laia under me, my arms on either side of her head to shield her from the blast. But it is the crypt that saves us. We cough from the wave of dust unleashed by the explosions, and I’m keenly aware that if not for Laia’s quick thinking, we’d both be dead.
The rumbling stops, and sunlight cuts through the dust. Screams echo from the city. Carefully, I lift myself away from Laia and turn toward the crypt entrance, which is half-blocked by chunks of rock. I peer out into what’s left of the tunnel. Which isn’t much. The cave-in is complete—not a Mask to be seen.
I scramble out of the crypt, half dragging, half carrying a still-coughing Laia over the debris. Dust and blood—not hers, I affirm—streak her face, and she paws at her canteen. I put it to her lips. After a few swallows, she pulls herself standing.
“I can—I can walk.”
Rocks obstruct the tunnel to our left, but a mailed hand shoves them away. The Commandant’s gray eyes and blonde hair flash through the dust.
“Come on.” I pull up my collar to hide the Blackcliff diamond tattoo on the back of my neck. We clamber out of the ruined catacombs and into the cacophonous streets of Serra.
Ten bleeding hells.
No one appears to have noticed the collapse of the street into the crypts—everyone is too busy staring at a column of fire rising into the hot blue sky: the governor’s mansion, lit up like a Barbarian funeral pyre. Around its blackening gates and in the immense square in front of it, dozens of Martial soldiers are locked in a pitched battle with hundreds of rebels dressed in black—Scholar Resistance fighters.
“This way!” I angle away from the governor’s mansion,
Stephani Hecht, Amber Kell