general, always about me.
In due course I begin to worry that my chances of recruitment are slim. Lucas has about him the air of someone doing Hawkes a favor. He will keep me in here for a couple of hours, fulfill what is required of him, and the process will go no further. Things feel over before they have really begun.
However, at around three thirty I am again offered a cup of tea. This seems significant, but the thought of it deters me. I do not have enough conversation left to last out another hour. Yet it is clear that he would like me to accept.
“Yes, I would like one,” I tell him. “Black. Nothing in it.”
“Good,” he says.
In this instant something visibly relaxes in Lucas, a crumpling of his suit. There is a sense of formalities passing. This impression is reinforced by his next remark, an odd, almost rhetorical question entirely out of keeping with the established rhythm of our conversation.
“Would you like to continue with your application after this initial discussion?”
Lucas phrases this so carefully that it is like a briefly glimpsed secret, a sight of the interview’s true purpose. And yet the question does not seem to deserve an answer. What candidate, at this stage, would say no?
“Yes, I would.”
“In that case, I am going to go out of the room for a few moments. I will send someone in with your cup of tea.”
It is as if he has changed to a different script. Lucas looks relieved to be free of the edgy formality that has characterized the interview thus far. There is, at last, a sense of getting down to business.
From the clipboard on his lap he releases a small piece of paper, printed on both sides. This he places on the table in front of me.
“There’s just one thing,” he says, with well-rehearsed blandness. “Before I leave, I’d like you to sign the Official Secrets Act.”
The first thing I think of, even before I am properly surprised, is that Lucas actually trusts me. I have said enough here today to earn the confidence of the state. That was all it took: sixty minutes of half-truths and evasions. I stare at the document and feel suddenly catapulted into something adult, as though from this moment onward things will be expected and demanded of me. Lucas is keen to assess my reaction. Prompted by this, I lift the document and hold it in my hand like a courtroom exhibit. I am surprised by its cursoriness. It is simply a little brown sheet of paper with space at the base for a signature. I do not even bother to read the small print, because to do so might seem odd or improper. So I sign my name at the bottom of the page, scrawled and lasting. Alec Milius. The moment passes with what seems an absurd absence of seriousness, an absolute vacuum of drama. I give no thought to the consequence of it.
Almost immediately, before the ink can be properly dry, Lucas snatches the document away from me and stands to leave. Distant traffic noise on the Mall. A brief clatter in the secretarial enclave next door.
“Do you see the file on the table?”
It has been sitting there, untouched, for the duration of the interview.
“Yes.”
“Please read it while I am gone. We will discuss the contents when I return.”
I look at the file, register its hard red cover, and agree.
“Good,” says Lucas, moving outside. “Good.”
Alone now in the room, I lift the file from the table as though it were a magazine in a doctor’s surgery. It is bound in cheap leather and well thumbed. I open it to the first page.
Please read the following information carefully. You are being appraised for recruitment to the Secret Intelligence Service.
I look at this sentence again, and it is only on the third reading that it begins to make any sort of sense. I cannot, in my consternation, smother a belief that Lucas has the wrong man, that the intended candidate is still sitting downstairs flicking nervously through the pages of The Times. But then, gradually, things start to take shape.