played tricks on him. He was sure of it.
He was less certain about how to proceed. Should he leave a copy of his manuscript in the living room at 29 Cowan? He wasnât convinced the short man actually was Avery Andrews, but one had to start somewhere. Why not start at the home of this gentleman who, after all, had both the yellow cardigan and the oxblood shoes?
He hadnât worked out how he would break into the manâs house but, as it happened, this was no problem at all. Though the man in the cardigan had locked his front door, the back door was open. So, Baddeley walked into a spotless kitchen. At least, âspotlessâ is what he thought on entering. But it was more that the place seemed uninhabited, expectant. There were no cobwebs and not much dust. The rooms were in order, the furniture arranged âjust so.â The lamps and wicker wastebaskets, the books in bookcases and the pictures on the walls were all neatly arranged. The place smelled faintly of incense. The further he went into the house, the less likely it seemed that anyone actually lived there.
Despite his sense that something wasnât right, Baddeley placed a copy of his manuscript â which heâd optimistically brought with him â on a coffee table in the living room. He left the house by the door heâd come in, resolving to return the following morning. But as Baddeley closed the kitchen door behind him and turned to go, he was confronted by the man in the yellow cardigan.
Caught off guard, Baddeley stuttered.
â Iâm sorry. Iâm sorry, he said. The door was open. I thought there was someone home.
The man stared at Baddeley a moment.
â Iâm home now, he said.
â Thatâs just it, said Baddeley. I thought a friend of mine lived here. Thatâs why I went in. I must have the wrong address. â Stop lying, said the man. Iâm Avery Andrews and I know who you are, assassin.
When he thought about this moment later â and he was to think about it often â Baddeley thought about how strange his face must have looked. On learning that he had found Avery Andrews, the emotions that coursed through him were myriad, contradictory, and sharply experienced. He felt excitement, wonder, fear, confusion, guilt, deference, arrogance, and disbelief. And each emotion must have imposed its own fleeting expression on his face.
â But, but, but ..., he said.
Andrews interrupted him.
â I apologize, he said. I shouldnât have called you âassassin.â
Letâs play this out. â Play what out?
was Baddeleyâs first thought, but he almost dutifully followed Andrews back into the house. They walked through the kitchen into the living room.
â Donât sit down, said Andrews. I donât like housecleaning.
Baddeley stood, as Andrews sat down on the sofa. Andrews saw Baddeleyâs manuscript, picked it up from the coffee table â Baddeleyâs heart raced as his idol touched its pages â and threw it so that Time and Mr. Andrews hit Baddeley on the shoulder.
â You donât know anything about my work, said Andrews. None of you do. Youâre all deluded.
The bitterness in Andrewsâ voice was so corrosive, Baddeley accepted his own insignificance as if it were an obvious fact.
â Yes, he said. But if only youâd help me interpret your work, it would be even more popular than it is.
â Are you out of your mind? asked Andrews. I write poetry. Itâs not meant to be popular. Anyway, I canât help you interpret what I donât understand myself.
It was not going as Baddeley had hoped. He was certain a mind as acute as Andrewsâ would know the springs and coils of its own mechanism intimately. If only he could coax certain things from the poet.
â Mr. Andrews, Baddeley said, I really believe people would have a deeper appreciation for your work if ...
Andrews cut him off.
â You donât