through the lobby and reached the ground-floor corridor, he had been too soused to maintain his deceptively regal posture and had dropped to all fours, crawling to the north elevator—and out of it on the third floor. On another post-midnight return, he strode confidently past the elevator, turned the corner intothe north wing, seemed suddenly to become disoriented, opened the door to the concierge’s office, evidently mistook it for a bathroom, and urinated on the floor.
That office was now kept locked when not in use.
On this occasion, Blandon found the elevator easily enough, and he boarded it with an air of dignity worthy of a king climbing into his royal carriage. As the doors closed, and after he pressed the button for the third floor, he glanced up once at the security camera in the car, and then he looked around at the bird-and-cloud mural with an expression of pure contempt.
The ex-senator had written two long letters to the homeowners’ association criticizing the mural with what he must have assumed was the erudition of a knowledgeable art connoisseur. The board, on which sat at least one genuine art connoisseur, instead found the letters to be contemptible, confrontational, and alarming. The security staff had not been bluntly told to observe Earl Blandon in the elevator when he returned home inebriated, against the possibility that he might deface the mural, but the suggestion had been made indirectly.
Now, as the elevator passed the second floor, something unprecedented happened. An expression of surprise came over the senator’s face … and swirling currents of blue static, like nothing Devon had seen before, suddenly flushed the image from the screen. The five other screens, quartered into twenty camera shots, also succumbed to the static, and the security system went blind.
Simultaneously, Devon heard low tympanic beats, hollow and strange and barely audible extended notes. Through the soles of his shoes, he felt vibrations in the concrete floor, subtle waves resonating in time with the drumming.
He didn’t become alarmed, because the door and window monitors remained operative, and all the indicator lights were green onthe board. No one was forcing entrance at any point. If the sound had grown louder and the accompanying vibrations had accelerated, Devon’s puzzlement and concern might have swelled into apprehension.
The phenomenon continued at a consistent level, however, and after about half a minute, the low drumming faded, the last of the vibrations passed through the floor, and the blue static receded from the plasma screens. The many security-camera points of view returned.
The elevator camera had a wide-angle lens and was mounted near the ceiling at a rear corner of the car, providing coverage of the entire interior, including the doors—which were closed. Earl Blandon was gone. Apparently the car had arrived at the third floor, and the ex-senator had disembarked.
Devon switched to the camera covering the short length of public corridor serving Apartments 3-A and 3-C, and then to the camera that provided a view of the entire long north-wing hallway on the third floor. No Earl Blandon. His was the first apartment in that wing, 3-D, overlooking the courtyard. He must have stepped out of the elevator, turned the corner, and let himself through his front door during the time that the video surveillance failed.
Devon cycled through all twenty-four cameras. Without exception, the public spaces were deserted. The Pendleton remained quiet and still. Evidently, above the basement, the sullen drumming and the vibrations had been so faint that, if anyone had been awakened, no one had been concerned enough to step out of his apartment and have a look around.
3
The Basement Pool
W hether upon arising at four o’clock in the morning, as now, or after work, Bailey Hawks preferred to swim laps with only the underwater lights, the rest of the long room dark, the pool a great glowing jewel, bright