Writing popular fiction Read Free Page B

certain of is that it
will
be different from today. A few moral questions for you to consider in the context of your future society: Will marriage exist as an institution? Will pre-marital sex and adultery be frowned upon or not? Will murder still be considered
immoral
? Will murder, in the service of your country, still be considered
moral
?
    Domestic politics
. Will there still only be two major political parties in the United States, and will they still be Republican and Democratic? Will the U.S. still be a democracy? What effects will data banks on private citizens (being put together even today) have on the conduct of politics? Will the war still be an issue? Another war? The space program? Will poverty be a political issue?
    World politics
. Will the U.S. still exist? Will Russia or China? What new power will have arisen as a major agent in world affairs—Brazil, perhaps, or Israel? If your novel is set on an alien world, what is the nature of galactic politics and diplomacy?
    Religion
. Will the U.S. remain predominately Christian? Set aside your own religious views and extrapolate honestly. Will religion play an even more important role in politics, accumulating even more establishment power? Or will the boom of scientific discovery eventually be the death of belief in supernatural beings? What new religions might arise?
    Day-to-day life
. This is the most important area of background detail in the future you are constructing, for it is the one which will be constantly in the reader's eye. Morality will play an important part; politics may be mentioned marginally in your story; religion may figure only vaguely in your tale; the international situation may influence only a few paragraphs in your book; but day-to-day life in the future will be visible in every scene. Will the population explosion do away with private dwellings (as it presently appears it will have to), thereby forcing everyone to live in space-conserving high-rise apartments? Will people eat the same foods or be forced to consume flavored algae because of vast food shortages? Will automobiles exist, or will they have been replaced with other transportation systems? How will people dress? Over the last century, as man has gained control of his environment, he has had less need for the protection of clothing. Will nudity then be casual in the future? Will books exist, or will they be replaced by mechanical devices? Will children go to public schools or be taught at home by television and robots? Will marriage exist? Will the pollution problem have been solved, or will people wear gas masks on the street and salve their skin to ward off deterioration caused by a caustic atmosphere?
    Will marijuana be legal? How will food be prepared, perhaps without human contact? Will cancer have been cured? Will madness have been cured? Will we have settled on the moon? On Mars? Beyond?
    The questions go on and on, and you must have answers to them; you must know your future so well that, if a friend quizzed you about it, you could answer him with the same alacrity you'd answer questions about the real world, the world of today.
    As a potential writer of science fiction, you would be well-advised to read
Dune
by Frank Herbert, a science fiction classic set in the far future that has sold more than a million copies and which contains one of the most detailed futures imaginable. Likewise, Robert Heinlein's million-copy classic,
Stranger in a Strange Land
, a book which details a near future so well that few authors have ever approached its catalogue of extrapolative minutiae, is well worth your perusal.
    You should understand that not every novel in this genre requires such a wealth of background in the finished draft-but you should have your future so well thought out that you
can
apply detailed background in any scene that demands it. Some writers keep elaborate notebooks full of background data for the future they're drawing, and Robert Heinlein has even gone so far as