used to the wide open spaces of Earth would probably feel trapped by ’Home’s claustrophobic architecture. In most corridors, for obvious instance, the floor curves up in two directions, cut off by the low ceiling in twenty meters or less—a lot less, up in 5 and 6. Of course you can look out for zillions of light-years if you have a window like mine, but for some reason some people don’t find that relaxing.
Both of my husbands were born on Earth, but spent enough years in New New to have lost the need for long lines of sight; distant horizons.
I do miss horizons, vistas, from my three visits to Earth. The first couple of weeks I spent there I had a hard time adjusting to the long lines of sight, even though I was in New York City, which most groundhogs would consider crowded. I would look up from the sidewalk and see a building impossibly far away and lose my balance.
I remember flying over kilometer after kilometer of forest, ocean, farmland, city. The Pyramids and the Rockies and Angkor Wat and even Las Vegas. We live inside one of the largest structures ever built, surely the largest vehicle—but we’ll never
see
anything big for the rest of our lives.
At least Dan and John and I have memories. Evy and nine thousand others just moved from one hollow rock into a newer one. Maybe they’re the lucky ones, I have to say, conventionally. I wouldn’t trade places.
Well, the rigors of composition seem to have sobered and tired me enough for sleep. Fold up the keyboard and unfold the cot. If the gravity gives me trouble I can always rejoin the hamster pile upstairs.
A CHANCE TO DREAM
PRIME
O’Hara and her staff of twenty-six had more than a thousand diversions to offer
Newhome’
s population. Most of the activities required very little in the way of administration other than keeping track of what went where: If you wanted to play chess, you went to the Game Room door and a person of adequate intelligence would figure out what day it would be one week hence, and loan you a set until then. If you didn’t bring it back in a week, you would be called automatically every hour until you did bring it back—and it better not be missing a pawn; there was no way to send for a replacement. (On the other hand, the piece was bound to be
somewhere
. If someone had accidentally or perversely thrown it away, the recycler would identify it and buzz Entertainment.)
Some activities were more complicated because they required people or equipment primarily assigned to other departments. Religion had a claim on yoga, hamblin, and t’ai chi, but O’Hara’s people also offered them, in a neutral secular context. Education had a hand in music, drama, and gymnastics. Communication was involved with social networking, and possibly New New Liaison as well, if your friend had stayed behind.
By far the most complicated was the Escape Room, a room with ten VR, virtual reality, installations. Every adult accumulated one minute per day of time on these machines. Five minutes was the minimum; some people wanted to come in every five days for a quick blast. Others saved up sixty days for the maximum hour of dream tripping. Some people wanted to come in wit friends and be wired in parallel, simultaneously wandering through an imaginary or remembered world.
Children were allowed to use certain game programs, and restricted travelogues that were really only an elaborate form of interactive cube. Usually nine at a time would visit some earthly locale, along with a teacher, to answer questions.
It was a scheduling nightmare, but that was only the beginning. VR was a powerful drug to some people, and had to be administered with care. Everyone had been carefully tested in New New at the age of eighteen, or would be examined at that age aboard ship. Some people would be disallowed the random abstraction or feedback modes, either of which could be terrifying. Others were cut off at ten or fifteen minutes because they were particularly
Johnny Shaw, Mike Wilkerson, Jason Duke, Jordan Harper, Matthew Funk, Terrence McCauley, Hilary Davidson, Court Merrigan