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—, In Honor of Fadime: Murder and Shame , translated by Anna Paterson (Chicago: Chicago University Press, 2008)
5. The Shape of Democracy: Esther Shalev-Gerz
Abess, Matthew and Esther Shalev-Gerz, ‘Neither Revelation nor the Thing Itself’, Describing Labor (Florida: The Wolfsonian, 2012)
Alter, Nora M., ‘Sampling the Past: An Aural History’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Badiou, Alain, De quoi Sarkozy est-il le nom? (Paris: Lignes, 2007)
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Didi-Huberman, Georges, ‘Blancs Soucis de Notre Histoire’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Gili, Marta, ‘Interview’, Esther Shalev-Gerz (Paris: Jeu de Paume, 2010)
Judt, Tony, Postwar: A History of Europe Since 1945 (London: Heinemann, 2005)
Jūrėnaitė, Raminta, untitled essay in Esther Shalev-Gerz, Still/Film (Vilnius: Vilnius Academy of Arts Gallery, 2009)
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Lind, Ingela, ‘A Dialogue with Esther Shalev-Gerz’, Two Installations – White Out: Between Telling and Listening; Inseparable Angels: The Imaginary House of Walter Benjamin (Stockholm: Historical Museum, 2002)
‘On Two, 2009: Script of the Video Installation, Jacques Rancière and Rola Younes’, Esther Shalev-Gerz (Lausanne: Musée cantonal des Beaux-Arts, 2012)
Rancière, Jacques, ‘The Work of the Image,’ Menschendinge/The Human Aspect of Objects (Buchenwald: Stiftung Gedenkstätten Buchenwald und Mittelbau-Dora, 2006)
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—, Les portraits des histoires (Aubervilliers: Ecole nationale supérieure des beaux-arts de Paris, 2000)
—, Two Installations – White Out: Between Telling