looked as though he was going to get on with something.
He flicked a sideways grin at me. âNow stop chatting please, Iâve got loads to do.â
âMe chatting? Oh, you are so irriââ
âIrresistible?â he offered, searching through his desk without looking up.
âNo,â I stuttered, âIrriââ
âOh, Holly,â he looked at me this time, pulling a comical sad face, âdonât say irresponsible, please, look how hard Iââ
âIrritating,â I tutted.
He mimed zipping his own mouth and I felt my own mouth lifting in a smile. A bit irritating, perhaps, but in an irresistible way.
Half an hour later Iâd given up all pretence of trying to work. Ben was simply too distracting to work with. Not because he pursed his full lips when he was concentrating or because the sun was casting shadows across his face in the afternoon light or because there was a lively citrusy scent that got stronger every time he came near me, but because he seemed to be having problems doing . . . whatever it was he was doing and had taken to grumbling to himself, tutting and slamming the phone down.
âBenedict,â I said, using his full name for once. I closed the lid of my laptop to give him my undivided attention. âWhat is it youâre trying to do, exactly?â
His chin was propped up in his hand and he was drumming his fingers on an empty notepad.
âI thought as all the team were doing something special for my parentsâ thirtieth year I should contribute too.â
âGood idea,â I said, pushing myself up and heading over to the coffee maker. âCoffee?â
âPlease,â he said, stretching his arms above his head. âIt might perk me up.â
I spooned fresh coffee into the filter and turned the machine on.
âI thought of doing a sort of photographic âretrospectiveâ: a look back at thirty years of the festival. I thought we could mount it as a display in one of the marquees.â
âNice idea,â I said, âwe havenât really got anything arty going on. So whatâs the problem?â
I left the coffee to gurgle and splutter away, perched on my desk and crossed my ankles.
âWe employed a professional photographer from 1990, so Iâm OK from then on; I can get the pictures from Sheila, she says sheâs got them all on CD. Itâs the first six years Iâm struggling with.â
âWhat about old Summer Festival programmes? There must have been a few on that shelf you cleared out this morning.â My lips twitched. âIn amongst the stuff you decided we didnât need.â
Ben shot me a look with a hint of cheeky grin. âSorry to disappoint, but they were all too new. What I really need to do is find some old copies of the
Wickham and Hoxley News
. That was the local newspaper that covered the festival every year until it was bought out by a bigger regional outfit. And when I phoned and asked them about their archives, they said they didnât have any.â
I nodded. âI remember. They used to cover all our school events, too. But you want actual pictures, donât you, and not press cuttings?â
Ben pushed back his chair and lifted his feet up onto the desk.
âIf I can track down the newspaperâs photographer, he or she will probably have the original negatives.â He raked a hand through his hair and shrugged. âBut how on earth am I supposed to find copies of an out-of-print newspaper from thirty years ago?
The skin at the back of my neck began to prickle. How indeed?
âHere you are,â I said, putting a cup of coffee in front of him. I took a deep breath. âNow, Iâll do you a deal: if you promise to let me get on with some work, in peace, for the next hour Iâll see if I can find you some old copies of that newspaper.â
âReally, Miss Swift?â said Ben, brightening up. âIn that