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pleasure was a constant pain, a dagger piercing our string of orgasms. A short time ago, I became pregnant. We thought we were angels, beings from another world, unaffected by human phenomena: we had to return to reality. After five months, my stomach began to bulge. In dreams, Abraham received a visit from the Black Lady. She was insane with fury and jealousy. When he awoke, he said, “I am going to cause your death. She will not listen to my pleas. Her cruelty knows no limits. You will never be able to give birth and survive. Understand me, my daughter, my wife, I must sacrifice myself, hand myself over to Death, let her carry me off to her palace of ice. That way her love will be satisfied, and she will not devour you.”
I wept for days, but I could not convince him that it was I who should disappear. He filled a bathtub with honey and submerged in the golden syrup. He died looking at me. He never closed his eyes. A tranquil suicide—he was smiling, and the bees flew, forming a crown that slowly circled over the yellow surface. Under the mattress, I found a note: “I shall never stop loving you. Please look after the bees. Don’t abandon them. They are my memory.”
I fell into the bed. I spread my legs, and as my stomach shrank I expelled an interminable sigh from my sex. Nothing remained of our child. It turned into air.
Teresa never answered that letter and hadn’t returned to her paternal home until the day she went to live in Odessa with Alejandro and the four children. An obscure shape came out to meet them. When they walked into the room, the bees separated from Fiera Seca and went to suck at little plates filled with sugared juices. Crying out, Fiera Seca threw herself into Teresa’s muscular arms. She did not seem to notice the presence of my grandfather and the children.
“Oh, sister! No one knows about Abraham’s death. I still make the atrocious faces when I go shopping, and I receive those who come here to buy honey covered with insects, so they go on thinking it’s Abraham. I never buried our father.”
As the family was moving in, she led Teresa to the barn. Among the honeycombs, from which came a buzzing similar to a requiem, was the bathtub filled with honey with the smiling corpse beneath its yellow surface.
“Honey is sacred, sister. It preserves flesh eternally. He never wanted to leave. I feel him stuck to me. He’s waiting for me.”
As she said that, Fiera Seca took off her clothes. She revealed her naked body, a delicate structure with a skin so fine that the pattern of her veins, like those of a leaf, could be seen. A thick, animal-like pubis contrasted with that angelic delicacy: it was so black it emitted blue sparkles and covered her belly up to her navel.
“I shouldn’t abandon the bees. They are the reason I remained in this world. That’s what he asked me to do. But now you’ve come, and I can leave. I’m leaving these wise animals in your care. If you look after them carefully, they will feed your whole family.”
And with no further explanations, she leapt into the tub, embraced her father, and allowed the honey to cover her. She made no signs of drowning and seemed neither to suffer nor to die. She simply became forever immobile, her eyes wide open, staring into the open eyes of the other cadaver.
Teresa felt as dead as her father or her sister. Only her obligation to her family kept her alive. And hate as well. Especially hate. It was a source of energy that allowed her to tolerate the world only so she could curse it. In all things she saw the presence of a cruel, despicable God. There was nothing that didn’t seem absurd, impermanent, or unnecessary to her. The plot line of life was pain. She could detect the incessant fear hidden in laughter, in moments of pleasure, in the stupid innocence of children.
For her the world was a prison, a charnel house, the sick dream of the monstrous Creator. But what infuriated her most (a rage that made her curse from the