phony electrodes. Diligently, she ran this part of the experiment a second time, with three hundred new participants. The women who thought they were being polygraphed not only reported more partners than the rest of the female subjects, they also—unlike their female counterparts—gave numbers a good deal higher than the men.
This kind of conscious suppression could well have distorted the self-reports of Chivers’s straight women, but had it insinuated itself with the lesbians? Many of them might have adopted a stance of defiance about their sexuality—wouldn’t this have lessened any impulse toward lying? Maybe, though with these women another sort of restraint could have been at work: the need for fidelity to their orientation, their minority identity.
Fisher’s research pointed to willful denial. Yet, Chivers believed, something more subtle had to be at play. In journals she found glimmers of evidence—unconfirmed, insubstantial, like so much that she wished she could rely on, build on, as she attempted to assemble sexual truth—that women are less connected to, less cognizant of, the sensations of their bodies than men, not just erotically but in other ways. Was there some type of neural filter between women’s bodies and the realms of consciousness in the brain? Something tenuous about the pathways? Was this especially the case with sexual signals? Was this a product of genetic or societal codes? Were girls and women somehow taught to keep a psychic distance from their physical selves? Deep into our seven-year conversation, Chivers spoke bluntly about the congenital and the cultural, about nature and nurture and women’s libidos. For a long while, though, she made no pronouncements. Her scientific intentions were aggressive, the stripping away of the societal, the isolation of the inherent. But she had a researcher’s caution, an empiricist’s reserve, a reluctance to declaim more than the data could support.
Fisher, meanwhile, was emphatic about the contortions imposed, the compressions enforced. “Being a human who is sexual,” she said, “who is allowed to be sexual, is a freedom accorded by society much more readily to males than to females.” Her lie detector was unequivocal.
R ebecca was a forty-two-year-old elementary school music teacher with three children. One afternoon, on the computer she shared with her husband, she discovered a picture of a woman who was plainly his lover. In all sorts of ways, this was devastating. There was the difference in age between the two women, clear to Rebecca immediately. More particularly and insidiously, there were the woman’s breasts, exposed in the photograph and, in Rebecca’s eyes, significantly superior to her own, which had shrunk, she was sure, more than most do from nursing. And then there was her sense—instantaneous—that her husband wanted the photo to be found and the affair to be found out, because he hadn’t had the courage to end the marriage and move in with the woman—who was blowing a whimsical kiss from the screen—without some mayhem to camouflage the long premeditation of his escape. Obeying a therapist’s advice, Rebecca tried not to beg her husband to stay. She lobbied through friends. She gave her husband a book about seeking spiritual fulfillment instead of chasing new love. But within weeks, she was a single mother who spent a good amount of time in front of the computer, comparing herself to the seminude picture, which she’d forwarded to her own email address.
Rebecca—who was among the women I spent my time talking with, questioning relentlessly—had a talent for self-disparagement. This encompassed everything from her body to her career. How had she wound up teaching flute and clarinet to fourth-graders and never performing herself except during the intermissions at her students’ recitals? And how, she wondered further, had she managed to corner herself into this marmish existence in, of all places, Portland,