he needs help to modernizeâthen offer to buy him and his family out, with enough capital to save the company. You donât buy all his stock, but naturally your price for bailing them out is controlling interest: you buy fifty-one percent of the stock. The family keeps the remaining nineteen percent. It should look attractive to themâafter all, old James Melbardâs getting too long in the tooth to hang on much longer. If you buy in, they canât lose, no matter what happens. They get a premium price for their stock. And they might even make more money on the shares they keep. Then, of course, thereâs that item in the assets column called goodwillâsome nice outside money could boost that for them.â
Villiers opened a flat silver case and took out a cigarette. âYou got a match, Sidney?â
Isher snapped, âNo. I donât smoke.â
âMaybe you ought to. Might clear up that cough.â Villiers smiled a little.
âWhat else do you need to know?â Isher asked.
âFor openers, we canât move into this without knowing which way NCIâs going to jump when they find out Melbardâs got a buyer sniffing around.â
âYou mean Elliot Judd may get nervous when he hears somebodyâs trying to move in on Melbard.â
âI donât want NCI bidding me up, SidneyâI canât compete with that monster.â
âNobody could, this side of General Motors. Youâve got a good point.â
âGive me an educated guess. Will they bid against me?â
âDepends on how you handle it,â Isher said. âDo you want me to use your name?â
âNo. Approach them through dummy fronts. With my reputation Iâd make them too nervous.â
âAll right. That makes it easier for a start. Now, suppose we use George Hackman again. Heâs a reputable broker, and heâs enough of a WASP backslapper to charm the Melbard family. With Hackman and me fronting, they probably wonât get too suspicious. Weâll tell them weâre fronting for a syndicate of bigshot conglomerate executives looking to diversify.â
âWonât Melbard get sniffy if you donât identify the clients? Thereâs a lot of front men dummying for Cosa Nostra goons that want a legitimate outlet for their money. How do you convince Melbard youâre not acting for racketeers?â
Isherâs face changed. âI hadnât thought of that.â
âMelbard will.â
âThen what do you suggest?â
âDiane Hastings.â
Isher shaped the name on his lips and frowned. âElliot Juddâs daughter?â
âShe owns the Nuart Galleries chain.â
âWould you mind going back over that one more time? Whatâs that got to do with us?â
âDiane Hastings will be the client youâre fronting for, when Melbard asks.â
âA bunch of art galleries? Where does she get that kind of money?â
âItâs a nationwide chain, Sidney. Sixty-one outlets in forty-two states. Art for the masses at popular prices. Greeting cards, artistsâ supplies, art books, paintings, posters, prints. Nuart grossed twenty-six million last yearâand nobodyâs going to question Diane Hastings about Cosa Nostra backing. Sheâll say sheâs looking to diversify her holdings. Nuart goes public, and she uses the capital from the sale of stock to buy the Melbard company.â
Isher had to chew on it. After a period of digestion he said, âI donât knowâI donât know. Tell me somethingâdoes Mrs. Hastings know anything about this?â
âShe will.â
âThatâs what I thought.â Isher started sliding papers back into his case. âIâm not going to Melbard with any offers until I have it from the lady herself that sheâs acting for you. Otherwise I get hung right in the middle.â
Villiersâ only reply was a dry look.