for the day’s first meal, and dipped the pieces of it into the dish of oil carefully propped on a heap of sand. Vergil was prompted to quote the old proverb of the Aegypts, “Water and the wheat plant are equal to the throne of God,” and Aurelio said, indeed. Indeed, indeed, sir, indeed. His old master, Aurelio Favio, then, he was not . . . and his freedman Aurelio was not, then . . . a dyer?
“No, sir, never. A dyer, Master Vergil? Why — ”
“But isn’t that madder, Aurelio, in the lines of your right hand?”
The freedman’s mouth opened. He turned his hand over, stared hard. Those lines of which the chiromancers make much were indeed a deeper red than anything but madder could supply. Aurelio looked. Puzzlement. Then a jerk of his head, a click of his teeth. Recollection. He nodded. “It was the other day sir, as I went indeed to the dye-house to see about the curtains for my bed. And the master workman poked his stick into the vat to show me how it was going and he hauled the cloth up and it began to slip and I, like a fool — as though he didn’t know his own craft! — I grabbed ahold of it. Well! And so the dye still stays there yet, in the lines of my palm. Sharp eyes you have, as well, Master Vergil, sir.” Respect, and perhaps just a touch of something more.
Not wanting it to be given the chance, just then, to become too much more, Vergil said, “We are making you a good house here, Aurelio. Will you live alone, just you and your servants?” No more encouragement was needed, the freedman opened his heart and spoke of his plans. He was, he felt, too old to marry. “If I need a woman for a night, I know where to find one. But what’s meet for a night is not meet for a lustrum,” he said. The vine might well be wedded to the elm, as anyone could see for himself who walked out into the countryside and saw the one, trained, draped round the other, so to speak: but old age and maidenhood, not so well. And to marry an older woman meant to marry all her family, “… some of which I might like and might like me, and some of which, well …” And had she no family, none, then to marry all her sorrow and bitterness as well.
But.
There was something else on the man’s mind and Vergil felt some sense of what it was, and a stronger sense of not wishing to show anything of what he sensed. He nodded. Waited. “There’s a young girl, oh, maybe eleven, twelve, or so, in the new wharf part of town, whom I been looking on for a while, you see, sir. And I see she’s a good girl and as clean as they leave her be, where she was before with some family, not a slave, no, just a servant-drudge. So I spoke a word here and there and I put a few pieces of silver into a few hands and I got her in with a better family where she can do more than scrub and carry — where she can learn the ways of a good family house and a good family housewoman: buying, spinning and weaving, cooking good food as she has bought, managing servants, and to read and write and keep accounts, and all such things as I needn’t enumerate. And in a while, Master Vergil, I shall adopt her and dower her. And then, without no haste, sir, then I’ll go cautiously inquiring around in the workshops of the good crafts, of the best of the crafts, sir, of promising young men who’ve about finished their journeyman time: and then I am going to pick the best of them as don’t have family to set them up well in trade and then I’ll marry the two of them off, if so be they’ll have each other, for I don’t believe in forcing such a match if they won’t. With the dowry, then, the young man, my son-in-law as he’ll be, he’ll be able to open a good shop and we’ll all be a-living here together in this good house which you’re a-building for me, and I shall have children then, you see, and grandchildren, and I shan’t be alone no more, then, nor in my ancient age …”
Quiet joyful anticipation for a moment, then, hastily: “If such be my