beach; and the Monksmere bird reserve to the south, quiet under the night sky, its reeds hardly stirring in the still water.
Stretching his legs to the fire and wedging his head still more comfortably into the high back of the chair, he looked across at his aunt. She was sitting, as always, bolt upright and yet she looked perfectly comfortable. She was knitting a pair of woollen socks in bright red which Dalgliesh could only hope were not intended for him. He thought it unlikely. His aunt was not given to such domestic tokens of affection. The firelight threw gules on her long face, brown and carved as an Aztec’s, the eyes hooded, the nose long and straight above a wide mobile mouth. Her hair was iron grey now, coiled into a huge bun in the nape of her neck. It was a face that he remembered from childhood. He had never seen any difference in her. Upstairs in her room, stuck casually into the edge of a looking glass, was the faded photograph of herself and her dead fiancé taken in 1916. Dalgliesh thought of it now; the boy, in the squashed peak cap and breeches which had once looked slightly ridiculous to him but now epitomised the romance and heartbreak of an age long dead; the girl half an inch taller, swaying towards him with the angular grace of adolescence, her hair dressed wide and ribbon bound, her feet in their pointed shoes just showing beneath the slim flowing skirt. Jane Dalgliesh had never talked to him of her youth and he had never asked. She was the most self-sufficient, the least sentimental woman that he knew. Dalgliesh wondered how Deborah would get on with her, what the two women would make of each other. It was difficult to picture Deborah in any setting other than London. Since her mother’s death she hardly ever went home and, for reasons which they both understood only too well, he had never gone back to Martingale with her. He could only see her now against the background of his own City flat, of restaurants, theatre foyers and their favourite pubs. He wasused to living his life on different levels. Deborah was not part of his job and as yet she had no place at Pentlands. But if he married her, she would necessarily have some share in both. Somehow, on this brief holiday he knew he had to decide if that was what he really wanted.
Jane Dalgliesh said: “Would you like some music? I have the new Mahler recording.”
Dalgliesh wasn’t musical, but he knew that music meant a great deal to his aunt and listening to her records had become part of a Pentlands holiday. Her knowledge and pleasure were infectious; he was beginning to make discoveries. And, in his present mood, he was even ready to try Mahler.
It was then they heard the car. “Oh Lord,” he said. “Who’s this? Not Celia Calthrop, I hope.” Miss Calthrop, if not firmly discouraged, was an inveterate dropper in, trying always to impose on the solitariness of Monksmere the cosy conventions of suburban social life. She was particularly apt to call when Dalgliesh was at the cottage. To her a personable and unattached male was natural prey. If she didn’t want him herself there was always somebody who did; she disliked seeing anything go to waste. On one of his visits she had actually given a cocktail party in his honour. At the time he had enjoyed it, intrigued by the essential incongruity of the occasion. The little group of Monksmere residents, meeting as if for the first time, had munched canapés and sipped cheap sherry in Celia’s pink-and-white drawing room and made inconsequent polite conversation while, outside, a gale screamed across the headland and the sou’westers and storm lanterns were stacked in the hall. Here had been contrast indeed. But it was not a habit to encourage.
Jane Dalgliesh said: “It sounds like Miss Calthrop’s Morris. She may be bringing her niece. Elizabeth is homefrom Cambridge convalescing from glandular fever. I think she arrived yesterday.”
“Then she ought to be in bed. It sounds as if there