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valuable to leave with her.
There were, however, some copies made. The journals were getting much the worse for wear by the turn of the century, and in 1921 her grandfather had them typed up. Two photocopies were later made and they were with her.
Apparently, due to the fading of the family fortunes her grandfather contemplated publishing them, but censorship and decency laws and the sensitivity of their nature prevented him. So, the journals never saw the light of day.
I became increasingly curious as to what exactly would be considered worthy of censorship, given the age of the texts. The old lady didnât know, as like many other generations of her family, she was never allowed to read them. And when finally the opportunity arose her eyesight had waned, as had her interest. She had an inkling of what they might be about, though, she laughed mischievously... because of the other paintings.
We dined together, and after coffee I began to worry about the time. It was then that she suggested I sleep over. Her generous hospitality was so great that I felt guilty as well as odd, but I really fancied the chance of reading the copies of the journals that night, so I accepted, and as the evening came to an end I was thrilled when she finally said she would get them for me. She needed to fetch them from the basement and asked me to accompany her.
The basement was reached by a long flight of steps, and as she turned on the light she laughed and told me to take a look at the other paintings, whereupon I fell silent again. Painted over two hundred years ago, they were an assortment of nude and erotic works that would be considered broadminded even by todayâs standards. They involved subjects reminiscent of the females in the paintings upstairs, as well as a range of others. Their condition was poor, though.
The old lady smiled to me as I gazed at them, then handed me a bundle of yellowish, dog-eared papers tied loosely together.
I didnât sleep that night.
The journals threw me into a sort of feverishness shortly after I began reading, and it continued long into the early hours.
As I started I assumed they would more or less blend the everyday lives of people of their classes with some notable, perhaps, fresh accounts of the revolution that would be of academic interest, but instead I found two extremely intimate accounts by two very passionate women. Their experiences merged with each otherâs, so the same incidents were described from two perspectives.
As they were, though, they were disconnected and deeply personal. They were also in antiquated French. So it occurred to me that they could be translated and put together as one book, forming a whole, and with an omniscient narrator.
The next morning I raved excitedly about the project, and the old lady laughed at my enthusiasm. However, permission would need to be sought from her son, the holder of the original copies. She gave me his details before I left and allowed me to hold on to one of the photocopied versions.
I faxed him as soon as I got home, outlining a brief proposal, and to my surprise he not only faxed me back twenty minutes later telling me to go to hell, but also telephoned me later to make threats. Unlike other members of his family he had actually read the journals, he explained heatedly. They were scandalous and depraved, he judged, and it was for this reason that he decided they were not to be sold or reproduced in any form. For the sake of heritage they had been preserved as best as possible, but would forever remain in a family vault. I complained over his reaction and he immediately threatened me with legal action, or worse.
So I grudgingly let it all go. The photocopied journals remained on a shelf in my study and were later transferred to a box in the loft. I got on with work at the university, but it became hard, and I thought it was the latent effects of the break-up with Natalie. It was difficult settling back to a quiet life in a