Scott walking by the door and they pulled him outside and into the debate.
He tilted his head to the side for a second. âPassive,â he said and left. And everyone else sat there nodding.
Anyway, itâs always interesting to work on a story with Scott. On one hand, he makes me a bit nervous. I might not live up to his transcendental vision of the world. On the other, he sees things that I would otherwise miss.
We arrange to walk over to Ianâs house â the âscene of the crimeâ â after school together. Scott can get some shots, and I can grill any investigators that are hanging around.
Lucky for me, the first police officer I see is Dave McBride. He plays tennis with my dad in the summers. Heâs just on his way tohis car when we see him. Iâm happy to find him outside because I really, really donât want to ring the doorbell and talk to Mr. and Mrs. Klassen. They canât possibly be in a good mood right now.
âOfficer McBride!â I call, and Scott follows behind as I run up to the police car. âCan you give me any info on the investigation? Iâm covering the story for the school news.â
âHey, Jen!â he greets me with a big smile. âDonât know how much I can tell you. You should call the detachment and theyâll put you through to our press contact.â
âAnd what will he tell me?â
âOh, general stuff. The victim is Ted Granville, local banker, 43 years old, father of two elementary school kids. The force is dedicating its full attention to the investigation.â
âAnd what does that mean?â I ask. âHow exactly do you investigate? I thought there would be police all over the place, but youâre the only one here.â
âThe more officers you have, the more likely someone will disturb the scene. Istopped by to make sure everything was secure, but thereâs an investigator inside finishing up the real work.â
âAnd whatâs that?â
âHe photographs everything, makes notes of blood splatters and body position, looks for signs of the struggle, collects the major evidence.â
âDoes any of it point to a killer?â I hold my breath.
âSorry. Canât release that information to the press.â
âOff the record?â I say hopefully. I glance back at Scott. He takes the hint and wanders away, turning the camera toward the house.
âI really shouldnât be discussing itâ¦â he says, but I detect a hint of wavering.
I think fast. âOf course Iâd never tell anyone. But I watch all those cop shows on TV, and the way they collect their evidence is
so
amazing.â Am I overdoing it? I hold my breath.
âItâs an art form,â Officer McBride agrees.
âFascinating. Can you give me an example?âMy eyelashes have never been batted so quickly in their entire eyelash lives.
âHypothetically?â Officer McBride says.
âOf course.â
âWell, we might see a partial boot print in the blood at the scene. We can compare that to prints on file â find out that itâs not a regular shoe.â
âReally? Is that what happened here? You have a distinctive print?â I try to keep my excitement out of my voice.
Officer McBride looks uncomfortable. âI was speaking theoretically,â he says. âAnd not a word of that to anyone.â
âScoutâs honor,â I tell him (which doesnât count for much, since I quit after three weeks of Brownies).
I grab Scott and prepare to scram, but just then a second officer comes out of the house and strides towards us.
âYou kids looking for something?â he asks. Heâs tall and thick like a stereotypical cop. Beside him, Scott looks like a string-bean.
âJust getting some footage for the school news show.â
He leans towards us. âI hope youâre not involved in any of this.â
We shake our heads in