something like this happens to Bren? To Lily ?â
âWeâll stop them.â
Our driver limps to my side, cell phone in one hand.
Hart ignores him. âWe know what you did when you got those recordings of your mother,â he tells me. âWe know about Joe Bender and what you engineered.â The statements should sound accusatoryâat least hatefulâbut Hartâs tone wobbles between guidance-counselor understanding and . . . just plain proud . âDo you regret what happened?â
What happened was I had Joe Bender killed. Why canât he just say it? Why canât I?
I did it to save my sister. Joe hurt her to get to me. Themurder should feel justified. It should be easy to confess.
I meet Hartâs gaze. âI donât regret it.â
âGood.â Thereâs a faraway whine of sirens and we both tense. Hart watches the closest side street, index finger tapping against his knee. âThere are terrible people in this world, Wicket. They make nothing but misery. What if you could help that?â
My stomach sinks. âIâm not into playing God.â
Iâve heard this line of reasoning before and it makes me nervous. The night Detective Carson escaped, he told me all about how he had wanted to make me a heroâthatâs why he blackmailed me into working for him. He thought he was making me Good by siccing me on people he thought were Evil. And the thing is . . . they were evil. He was right. But he was also deciding whose sins were the worst, who deserved punishment, and who deserved a pass.
âDonât think of it as playing God,â Hart says, eyes still skittering over the side streets. Our driver returns to the ruined town car, holding his cell to one ear.
âThen what is it?â
He turns to me. âIâm proud of you. Iâm proud of you for standing up. You did an ugly thingâthe right thing is often ugly, and thatâs what makes it so hard for most people to recognize it.â
We stare at each other. I want to tell Hart thatâs not really an answer to my question, but it doesnât matter anymore. Call it ugly. Call it the truth. Call it whatever . Iâm getting less and less impressed with labels. The only time they matteris when youâre figuring out the person whoâs using them.
âYou canât tell anyone what a gift you gave to the world,â Hart continues, watching me. âBut Iâm bringing you somewhere you can tell peopleâbecause we understand.â
âI thought you were bringing me somewhere to keep me safe, not egg me on.â
Hartâs smile is thin, faint. Bitter. âDonât kid yourself, Wick. These people saw you. They see you. You are now known. You looked into the dark and it looked back. I know you know this.â
I do.
âWhy do you want me?â I ask.
âLooking Glass specializes in internet securities, virus removalâyouâre good at that, arenât you?â
Slowly, I nod.
âPlease trust that I can help you,â he says.
âNo one ever says âpleaseâ to me.â Not entirely true. Griff does. Or he did once upon a time when we were together and I was pretending to be someone Iâm not. I look at Hart and tell myself I donât care about how Griff is past tense, how Milo is probably long gone, and how my entire life as I knew it no longer exists.
Too bad Iâm not that good a liar.
Hart sighs. âYeah, I know. It hasnât been easy for you, but things can be different if you let us help you.â
I hesitate. Hart seems so . . . sincere. I donât know what to do with that or the fact that I want to believe him. I pick gravel from my palms instead as the sirens grow closer.
âBoss?â The driver appears at the side of our car. Heâs holding his neck like it hurts and his eyes are wide. âSomeoneâs reported the accident. Theyâre maybe five minutes
Kennedy Ryan, Lisa Christmas