lollygaggin round heah, cause Matâs gon be ready soon, ahn, Mat?â
Marthaâs feeling of ease slipped away.
âTell us, Mat, when you gon show yo patten? Tis bout time, yes?â Cora LaRue asked.
âLeâs git Ocie married first.â She didnât want to talk about marriage to Beau, or to anyone, especially in front of Cora LaRue. So Martha said, âOcie, leâs see yo weddin dress patten.â
Ocie was pleased to show her material and pattern. Both were simple, but nice. She had chosen soft white calico with fine lace and tiny buttons. It would be a dress that could be worn many times after the wedding to parties and festivals.
The women settled to quilting and their talk turned to prices at the commissary. Then they talked about plans for the fishing festival, the biggest event on the island, which came every year at the end of summer. Finally their conversation turned to their children.
âSay, Cam, youâs lookin mighty pretty round heah,â Cora said. âYo skin like velvet. You ainât in child way agin, no?â
There was deep silence broken by Camâs uneasy giggle. She covered her mouth to hide a missing front tooth. âAh, Miss Cora, leave me lone.â
Martha lowered her eyes, trying to relieve the hurt she felt for Cam. Only a few days ago, Cam had come to visit Titay, upset because she felt she was expecting another child. It would be her fifth, and her youngest was only nine months old. She and Titay had talked for a long time. When Cam left, Titay was silent, and Martha knew her grandmother faced a problem she could not solve.
Just then Tee came through the door. âLook who I brung,â he said, ushering Titay into the room. Everyone applauded. Cora said, âYou jus in time tâ tell us bout Cam.â
Titay gave Cam a quick look, then turned to Cora. âWhatâs tâ tell?â
âAw now, Miss Titay, look at er. Sheâs too pretty. You mus know thereâll be a new baby round heah soon, yes?â
Everyone knew that Cora wanted to take Titayâs place as the island midwife and caretaker, but the women were afraid of her. It was rumored that she practiced hoodoo. Her question now was meant to put Titay on the spot.
The women were quiet as Cora kept her angry eyes on Titay. In that throbbing moment, Martha wondered how Titay would answer.
âAh,â Titay said. âThat need no word from me, no. If it be so, weâll know sooner or later, ahn?â She moved to place a hand on Camâs shoulder.
Martha caught Camâs eye and responded to her smile.
Coraâs anger chilled the room, but Titay calmly took her place at the quilting frame to do the work in the center of the final roll.
Martha smiled again. Even if Titayâs eyes were failing, she still made the neatest, most even stitches, twelve within an inch.
Just as the frame was being taken down, the men began to arrive. Soon the party moved outside and shouts went up for Ocie and Tee to do the courting dance. Drumbeats and hand-clapping set the rhythm. Ocie stood still, marking time to the music, while Tee did steps that moved from the simple to the most difficult.
Tee strutted on his toes, moving his shoulders, neck, arms and head. Ocie teased with her eyes and smile while she stood in place, keeping time to the beat. The tempo increased and Teeâs whole body caught the music.
Martha, fired by the music and movements, clapped and urged the dancers on.
After the courting dance everyone was ready for cake and lemonade. As they settled and were served, the men began to swap tall tales. The women listened and laughed. Only Cora was bold enough to add a story of her own and sip the elderberry wine that Teeâs father brought out for the men to sample.
Martha sat on the ground, close to Titay, watching, listening and laughing at the stories. She felt at home, but with an uneasiness hard for her to explain. It was like moving