the steps of desolate stairs leading into a chaos of shadows; it was all very dismal and very distant, and our acrophobic Person felt the pull of gravity inviting him to join the night and his father. He had walked in his sleep many times as a naked boy but familiar surroundings had guarded him, till finally the strange disease had abated. Tonight, on the highest floor of a strange hotel, he lacked all protection. He closed the windows and sat in an armchair till dawn.
7
In the nights of his youth when Hugh had suffered attacks of somnambulism, he would walk out of his room hugging a pillow, and wander downstairs. He remembered awakening in odd spots, on the steps leading to the cellar or in a hall closet among galoshes and storm coats, and while not overly frightened by those barefoot trips, the boy did not care “to behave like a ghost” and begged to be locked up in his bedroom. This did not work either, as he would scramble out of the window onto the sloping roof of a gallery leading to the schoolhouse dormitories. The first time he did it the chill of the slates against his soles roused him, and he traveled back to his dark nest avoiding chairs and things rather by ear than otherwise. An old and silly doctor advised his parents to cover the floor near his bed with wet towels and place basins with water at strategic points, and the only result was that having circumvented all obstacles in his magic sleep, he found himself shivering at the foot of a chimney with the school cat for companion. Soon after that sally the spectral fits became rarer; they practically stopped in his late adolescence. As a penultimate echo came the strange case of the struggle with a bedside table. This was when Hugh attended college and lodged with a fellow student, Jack Moore (no relation), in two rooms of thenewly built Snyder Hall. Jack was awakened in the middle of the night, after a weary day of cramming, by a burst of crashing sounds coming from the bed-sitting room. He went to investigate. Hugh, in his sleep, had imagined that his bedside table, a little three-legged affair (borrowed from under the hallway telephone), was executing a furious war dance all by itself, as he had seen a similar article do at a séance when asked if the visiting spirit (Napoleon) missed the springtime sunsets of St. Helena. Jack Moore found Hugh energetically leaning from his couch and with both arms embracing and crushing the inoffensive object, in a ludicrous effort to stop its inexistent motion. Books, an ashtray, an alarm clock, a box of cough drops, had all been shaken off, and the tormented wood was emitting snaps and crackles in the idiot’s grasp. Jack Moore pried the two apart. Hugh silently turned over and went to sleep.
8
During the ten years that were to elapse between Hugh Person’s first and second visits to Switzerland he earned his living in the various dull ways that fall to the lot of brilliant young people who lack any special gift or ambition and get accustomed to applying only a small part of their wits to humdrum or charlatan tasks. What they do with the other, much greater, portion, how and where their real fancies and feelings are housed, is not exactly a mystery—there are no mysteries now—but would entail explications and revelations too sad, too frightful, to face. Only experts, for experts, should probe a mind’s misery.
He could multiply eight-digit numbers in his head, and lost that capacity in the course of a few gray diminishing nights during hospitalization with a virus infection at twenty-five. He had published a poem in a college magazine, a long rambling piece that began rather auspiciously:
Blest are suspension dots … The sun was setting a heavenly example to the lake …
He was the author of a letter to the London
Times
which was reproduced a few years later in the anthology
To the Editor: Sir
, and a passage of which read:
Anacreon died at eighty-five choked by “wine’s skeleton” (as another Ionian
Elizabeth Ashby, T. Sue VerSteeg