Tomcat in Love Read Free

we filled mason jars with gasoline. Through July and August, in the soft, grave density of that prairie summer, we practiced our bombing runs, getting the feel of it, the lift, the swoop. Herbie was eight, I was seven. We made the sounds an engine would make. In our heads, where the world was, we bombed Mrs. Catchitt’s garage, the church across the street, Jerry Powell and his cousin Ernest and other people we feared or despised. Mostly, though, we bombed Herbie’s house. The place was huge and bright yellow, a half block away, full of cousins and uncles and nuns and priests and leathery old grandmothers. A scary house, I thought, and Herbie thought so too. He liked yelling “
Die
!” as he banked into a dive; he said things about his mother, about black bones and fires in the attic.
    For me, the bombing was fine. It seemed useful, vaguely productive, but the best part was flight itself, or the anticipation of flight, and over those summer days the word
engine
did important engine work in my thoughts. I did not envision machinery. I envisioned thrust: a force pressing upward and outward, even beyond. This notion had its objective component—properties both firm and man-made—but on a higher level, as pure idea, the engine that my father would be bringing home did not operate on mechanical principles. I knew nothing, for example, of propellers and gears and such. My engine would somehow
contain
flight. Like a box, I imagined, which when opened would release the magical qualities of levitation into the plywood boards of my airplane.
    At night, in bed, I would find myself murmuring that powerful, empowering word:
engine
. I loved its sound. I loved everything it meant, everything it did not mean but should.
    Summer ended, autumn came, and what my father finally brought home was a turtle. A mud turtle—small and black. My father had a proud look on his face as he stooped down and placed it on our backyard runway.
    “That thing’s a
turtle
,” Herbie said.
    “Toby,” said my father. “I think his name is Toby.”
    “Well, God, I know that,” Herbie said. “Every turtle on earth, they’re
all
named Toby. It’s still just a stupid old turtle.”
    “A pretty good one,” my father said.
    Herbie’s face seemed to curdle in the bright sunlight. He scooped up the turtle, searched for its head, then dropped it upside down on the runway. I remember backing away, feeling a web of tensions far too complex for me: disappointment, partly, and confusion, but mostly I was afraid for my father. Herbie could be vicious at times, very loud, very demonstrative, easily unnerved by the wrongs of the world.
    “Oh, boy,” he muttered.
    He took a few slow steps, then ran.
    If anything was said between my father and me, I cannot remember it. What I do remember—vividly—is feeling stupid. The words
turtle
and
engine
seemed to do loops in the backyard sunlight. There had to be some sort of meaningful connection, a turtleness inside engineness, or the other way around, but right then I could not locate the logic.
    The backyard was silent. I remember my father’s pale-blue eyes, how he gazed at something just beyond the birdbath. “Well,” he said, then stopped and carefully folded his hands. “Sorry, Tommy. Best I could do.” Then he turned and went into the house.
    Afterward, I stood studying Toby. I poked at him with my foot. “Hey, you,” I murmured, but it was a very stupid turtle, more object than animal. It showed no interest in my foot, or my voice, or anything else in the physical universe. Turtle, I kept thinking, and even now, in my middle age, those twin syllables still claw at me. The quick t’s on my tongue:
turtle
. Even after four decades I cannotencounter that word without a gate creaking open inside me. Turtle for the world—turtle for you—will never be turtle for me.
    Nor this:
corn
.
    Nor this:
Pontiac
.
    Have you ever loved a man, then lost him, then learned he lives on Fiji with a new lover? Is Fiji