To You, Mr Chips
impression of my school or of any school, because a school is something more than the buildings of which it is composed.
    I know that a visiting American would have been sheerly horrified by the plumbing and drainage, but no more horrified than I am when, having duly admired some magnificent million-dollar scholastic outfit on the plains of the Middle West, I learn that it offers a degree in instalment-selling and pays its athletic coach twice as much as its headmaster. This seems to me the worst kind of modern lunacy. Better to have rats in the bathtub than bats in the belfry.
    I am, as I said just now, prepared to believe almost any specific detail about almost any specific school. But a book or even a page of specific details must be considered with due allowance for the age and character of the writer. Many men after middle-life remember nothing but good about their schools. Their prevalent mood by that time has become so nostalgic for past youth that anything connected with it acquires a halo, so that even a beating bitterly resented at the time becomes, in retrospect, a rather jolly business. (Most of the 'jolly' words for corporal punishment--'spank', 'whack,' etc., were, I suspect, invented by sentimentalists of over forty.) The kind of man who feels like this is often the kind that makes a material success of life and whose autobiography, written or ghost-written, exudes the main idea that 'school made him what he was'--than which, of course, he can conceive no higher praise.
    On the other hand, in reading the school reminiscences of youths who have just left it, one should remember that the typical schoolboy is inarticulate, and that by putting any such reminiscences on paper the writer is proving himself,  ipso facto,  to be untypical. In other words, recollections of schools are apt to be written either by elderly successful men who remember nothing but good, or by youths who, by their very skill in securing an audience at such an early age, argue themselves to have been unlike the average schoolboy.
    There is nothing for it, therefore, but to be frankly personal and leave others to make whatever allowances they may think necessary.
    I am thirty-seven years of age. I do not think I am old enough yet to feel that school was a good place because I was young in it, or self-satisfied enough to feel that school was a good place because it 'made me what I am.' (In any case, I do not think it did make me what I am, whatever that may be.) But I enjoyed my schooldays, on the whole, and if I had a son I dare say I would send him to my old school, if only because I would not know what else to do with him.
    I was not a typical schoolboy, and the fact that I was happy at (shall we say?) Brookfield argues that the school tolerated me even more generously that I tolerated it. Talking to other men about their schooldays, I have often thought that Brookfield must have been less rigid than many schools in enforcing conformity to type. Perhaps the fact that it was, in the religious sense, a Nonconformist school helped to distil a draught of personal freedom, that even wartime could not dissipate. At any rate, I did not join the almost compulsory Officers' Training Corps, despite the fact that the years were 1914-1918. My reasons for keeping out (which I did not conceal) were simply that I disliked military training and had no aptitude for it. Lest anyone should picture my stand as a heroic one, I should add that it was really no stand at all; nobody persecuted me--if they had, no doubt I should have joined.
    When later I was called up for military service I responded, chiefly because my friends were in the army and I guessed I should be happier with them there than on committees of anti-war societies with people whose views I mainly held. If this seems an illogical reason, I shall agree, with the proviso that it is also a more civilised reason than a desire to kill Germans.
    I did not conceal my views about the War, but I did

Similar Books

The West End Horror

Nicholas Meyer

Shelter

Sarah Stonich

Flee

Ann Voss Peterson, J.A. Konrath

I Love You More: A Novel

Jennifer Murphy

Nefarious Doings

Ilsa Evans