on the lookout to prevent me from being attracted by the same mirages that had led to her own downfall.
In her own way Mother was very fond of me. As soon as I began to go the rounds of the studios, for instance, she made me a two-piece skirt and jacket and a dress. As a matter of fact, I would have preferred some underwear, because every time I had to undress I was ashamed of the coarse, threadbare, often soiled lingerie I displayed, but Mother said it did not matter if I wore rags underneath, what was important was to look presentable. She chose two cheap pieces of cloth of striking color and pattern, and cut out the dresses herself. But since she was a shirtmaker and had never made dresses before, she made them both up wrongly. The one-piece, I remember, pouched in front so that my breasts showed and I always had to pin it up. The jacket of the two-piece was too short and too tight, it pulled across my breasts and hips, and the sleeves did not cover my wrists; the skirt, on the other hand, was too wide and made creases in front. But I thought they were splendid because until then I had been dressed even worse, in blouses, short little skirts that showed my thighs, and skimpy little scarves. Mother bought me two pairsof silk stockings as well: I had always worn short socks and had bare knees before. These presents filled me with joy and pride; I never grew tired of looking at them and thinking about them, and used to walk self-consciously along the streets, holding myself upright, as if I were wearing a priceless dress made by some fashionable dressmaker, and not those poor rags.
Mother was always thinking about my future and before long she began to be dissatisfied with my profession as a model. According to her, my earnings were too small; then, too, the artists and their friends were poor and there was little hope of making useful acquaintances in their studios. Mother suddenly conceived the idea that I might become a dancer. She was always full of ambitious ideas, while I, as I have said, thought of nothing more than a tranquil life, with a husband and some children. She got hold of this idea of dancing when a promoter of a variety company, who put on shows between movies, ordered some shirts from her. She did not think the profession of a dancer would prove to be very profitable in itself, but, as she so often said, “One thing leads to another, and by showing oneself on the stage, there was always the chance of meeting some gentleman.”
One day Mother told me she had had a talk with this producer and he had encouraged her to take me along to see him. One morning we went to the hotel where he lodged with the whole company. I remember the hotel was an enormous old palace near the station. It was nearly midday, but still quite dark in the corridors. The impression of sleep being wooed in a hundred rooms filled the air and took one’s breath away. We went along several corridors and at last reached a kind of murky antechamber where three girls and a musician were practicing in the sparse light as if they were on the stage. The piano was wedged into a corner near the opaque glass window of the bathroom; in the opposite corner stood a huge pile of dirty sheets. The musician, a broken-down old man, was playing from memory, as though he were thinking of something else or drowsing. The three dancers were young and had taken off their jackets; they stood in their skirts, their breasts and arms bare. They had their arms around each other’s waists, and, when the musician struck up an air,they all three advanced toward the pile of dirty sheets, kicking their legs high, waving them to the right and left, and finally turning their backs and waggling their behinds, with provocative movements that produced a most incongruous effect in such a dim and squalid setting. My heart stood still as I watched and saw how they beat time with their feet in a dull and heavy thudding on the floor. I knew that although I had long, muscular
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