Tags:
Fiction,
General,
Suspense,
Americans,
Thrillers,
Mystery & Detective,
Women Sleuths,
Suspense fiction,
Monks,
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Archaeological Thefts,
Pendergast; Aloysius (Fictitious character),
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Himalaya Mountains,
Americans - Himalaya Mountains,
Queen Victoria (Ship)
confirmed—the hidden sanctum sanctorum. Such access—which, he’d understood, was absolutely forbidden—was apparently guarded by the immured anchorite. This was a monastery within the monastery, in which a half dozen cloistered monks passed their entire lives in the profoundest meditation and unceasing mental study, never seeing the outside world or even coming in direct contact with the monks of the outer monastery, guarded by the unseen anchorite. They had so withdrawn from the world, Pendergast once heard it said, that the light of the sun, should it fall upon their skin, would kill them.
He followed the strange monk down a narrow corridor, leading into the deepest parts of the monastic complex. The passages became rougher and he realized that they were tunnels cut out of the living rock itself: tunnels that had been plastered and frescoed a thousand years before, their paintings now almost obliterated by smoke, humidity, and time. The passage turned, and turned again, passing small stone cells containing Buddhas or thangka paintings, illuminated by candles and drifting with incense. They passed no one, saw no one—the warren of windowless rooms and tunnels felt hollow, damp, and deserted.
Finally, after what felt like an endless journey, they came to another door, this one bound in bands of oiled iron, riveted into thick plates. Another key was brandished, and with some effort the door was unlocked and opened.
The room beyond was small and dim, illuminated by a single butter lamp. The walls were lined in ancient, hand-rubbed wood, meticulously inlaid. Fragrant smoke drifted in the air, pungent and resinous. It took Pendergast’s eyes a moment to adjust to the extraordinary fact that the chamber was packed full of treasure. Against the far wall sat dozens of caskets in heavy repoussé gold, their lids tightly locked; next to them stood stacks of leather bags, some of which had rotted and split, spilling their contents of heavy gold coins—everything from old English sovereigns and Greek staters to heavy gold mughals. Small wooden kegs were stacked around them, the staves swollen and rotted, spilling out raw and cut rubies, emeralds, sapphires, diamonds, turquoises, tourmalines, and peridots. Others seemed filled with small gold bars and oval Japanese kobans.
The wall to his right contained a different kind of treasure: shawms and kangling horns made of ebony, ivory, and gold, and encrusted with gems; dorje bells of silver and electrum; human skullcaps trimmed in precious metals and glowing with turquoise and coral inlay. In another area stood a crowd of statues in gold and silver, one adorned with hundreds of star sapphires; nearby, nestled in wooden crates and straw, he could see translucent bowls, figures, and plaques of the finest jade.
And to his immediate left, the greatest treasure of all: hundreds of cubbyholes stuffed with dusty scrolls, rolled thangkas, and bundles of parchment and vellum tied in silk cords.
So astonishing was the display of treasure that it took Pendergast a moment to realize a human being was sitting, cross-legged, on a cushion in the near corner.
The monk who had brought him now bowed, hands together, and withdrew, the iron door clanging behind him, the lock turning. The cross-legged monk gestured toward a cushion beside him. “Please sit down,” he said in English.
Pendergast bowed and seated himself. “A most remarkable room,” he replied. He paused a moment. “And a most unusual incense.”
“We are the guardians of the monastery’s treasures—the gold and silver and all other transitory things the world considers wealth.” The man spoke in a measured and elegant English, with an Oxbridge accent. “We are also stewards of the library and the religious paintings. The ‘incense’ you note is the resin of the
dorzhan-qing
plant—burned ceaselessly to keep the worms at bay—ravenous woodworms indigenous to the high Himalayas that seek to destroy everything in this