that had been a mistake. No collection of human voices could make a noise like that. It was deafening and seamless, huge as the sky. Filmore stepped out into that sound, straining to see through the blinding whiteness.
The wind picked up again, suddenly and wetly, and it pushed the mist away, breaking it apart enough for Filmore to finally see the source of the noise. He craned his head back, higher and higher, his eyes bulging at the bizarre and inexplicable enormity of what he was witnessing.
Surrounding the building, encompassing it on three sides, was a wall of thundering water, so high and so broad that it seemed to dwarf the shining steel tower. It was a waterfall of such proportions that it defied belief. Filmore found himself stunned by it, nearly unable to move, even as it drenched him with its pounding, battering mists. Somehow, impossibly, the Chrysler Building had been transported, vanished away, to some entirely fantastic location. Filmore shook himself, breaking his paralysis, and spun around, looking back at the building behind him. It stood entirely intact, leaning very slightly, on a shelf of rock in the middle of a heaving tropical river. Its windows dripped with water, reflecting the mountain around it and its bounding, lush jungles.
"Greetings, Senator," a voice called, shocking Filmore so much that he spun on his heels and nearly fell over. "Sorry about your bodyguard, but the deal was for only one person. He may be somewhere, but let me assure you, he is not here."
"Wha…!" Filmore stammered faintly. He opened and closed his mouth several times, boggling at the figure as it approached through the mist, walking jauntily. It appeared to be a man, dressed all in black. A cloak flapped about his shoulders and his face was covered in a bizarre, metallic mask. As the figure approached, Filmore saw several more similarly dressed shapes unsheathe from the pounding mist, keeping their distance but watching him carefully.
"Do pardon the omission, Senator," the dark figure called out, stopping suddenly. His voice bore the cultured clip of a British accent. He seemed to be smiling. "I understand there are traditions to be seen to. This is, after all, a magic trick." The man curled a hand to his masked mouth, cleared his throat, and then threw out both arms in a grand gesture that seemed to encompass the Chrysler Building, the thundering waterfall, and even Charles Filmore himself.
"Ta-daa!" he cried out, clear as crystal in the roaring noise. And then he laughed, and laughed, and laughed.
A great distance away and some weeks later, a short order cook struck a bell with his slab of a hand and clunked a steaming plate onto the counter.
"Number three, hold the O, extra mayo, get it while it's hot," he called without looking.
A waitress in a dingy rayon dress blew hair out of her face in annoyance. "Keep your hair on, I'll get it in a second." She turned back to an overweight couple crammed into the window booth. They leaned over the little dog-eared menus, studying them as if they were final exams. The man looked up at the waitress, his eyes swimming in a huge pair of black-rimmed glasses.
"Does the tuna come open-faced or in one of those fancy tomato bowls?"
"Fancy—" the waitress blinked. She scoffed good-naturedly. "You don't know where you are, do you?"
"We're in Bridgend, aren't we?" the overweight woman said suddenly, glancing up at the waitress and then looking worriedly at her husband. "Aren't we? I told you we should've taken the expressway. We're lost now, aren't we?"
"No, I mean—" the waitress began, but the man interrupted her, producing a large folded map from his breast pocket.
"Bridgend," he said emphatically, unfolding the map and stabbing at it with a pudgy finger. "Right 'ere, see? You saw the sign when we left the last roundabout."
"I've seen a lot of signs today, Herbert," the woman huffed, sitting up primly in the red booth.
"Look," the waitress said, lowering her order pad, "if