sky and land on her head. Obliviaâs skin instantly turned to a darker shade of red-brown. What about her frizzy hair then? Well! There was no change in that. It was always sprayed out in fright. Ngirriki ! Messy! Always looking like tossed winter straw that needed rope to tie it down. She was psychological . Warraku . Mad. Even madder than ever. That was the most noticeable change. She did what was expected. She nose-dived like a pitchfork into the unbearable, through broiling dust vats, to countless flashbacks of what was over-the-top and dangerous. Everything in her mind became mucked up. This is the kind of harm the accumulated experience of an exile will do to you, to anyone who believes that they had slept away half their life in the bowel of a eucalyptus tree. Well! Utopian dreaming was either too much or too little, but at least she recognised that the swan was an exile too.
Suddenly, the swan dropped down from the sky, flew low over the swamp, almost touching the water, just slow enough to have a closer look at the girl. The sight of the swanâs cold eye staring straight into hers, made the girl feel exposed, hunted and found, while all those who had suddenly stopped eating fish, watched this big black thing look straight at the only person that nobody had ever bothered having a close look at. Her breathing went AWOL while her mind stitched row after row of fretting to strangle her breath: What are they thinking about me now? What did the swan have to single me out for and not anyone else standing around? What kind of premonition is this? Heart-thump thinking was really tricky for her. She feasted on a plague of outsidedness . It was always better never to have to think about what other people thought of her.
It was through this narrow prism of viewing something strange and unfamiliar, that the girl decided the swan wasnât an ordinary swan and had not been waylaid from its determined path. She knew as a fact that the swan had been banished from wherever it should be singing its stories and was searching for its soul in her.
The black swan continued travelling low, then flew upwards with its long neck stretched taut, as though it was being pulled away by invisible strings as fine as a spiderâs web held in its beak. She saw a troupe of frost-face monkeys holding the strings at the other end of the world. They were riding on a herd of reindeer crushing through ice particles in those faraway skies. Those taut strands of string twanged the chords of swan music called the Hansdhwani that the old gypsy woman Bella Donna would play on her swan-bone flute while you could watch the blood flowing to the pulse of the music through the old white ladyâs translucent skin. It was the swan raga the girl heard now coming down from the sky, the music of migratory travelling cycles, of unravelling and intensifying, of flying over the highest snow-capped mountains, along the rivers of Gods and Goddesses, crossing seas with spanned wings pulsing to the rhythm of relaxed heartbeats.
This was when the girl realised that she could hear the winnowing wings from other swans coming from far away. Their murmurings to one another were like angels whispering from the heavens. She wondered where they were coming from as they entered her dreams in this country, this first time she saw a swan. She could not have known anything of how long it had taken the huge black birds to make the migratory flight from so far away, to where they had no storyline for taking them back.
The swans had become gypsies, searching the deserts for vastsheets of storm water soaking the centuries-old dried lakes when their own habitats had dried from prolonged drought. They had become nomads, migratory like the white swans of the northern world, with their established seasonal routes taking them back and forth, but unlike them, the black swans were following the rainwaters of cyclones deeper and deeper into the continent.
Bevies of swans crossed