obtain one as soon as possible.â
âDo you play well?â
âExquisitely, if I do say so myself,â said Coombes. âAnyway, I used to play exquisitely. But I can assure you, Watson . . .â
âWilson.â
âSorry, yes. Wilson. I can assure you that if I find I no longer play the violin exquisitely, I will instantly give it up. A violin played less than perfectly is too painful to bear. I could not put myself through the agony â much less anyone else.â
âThatâs all right, then. Any other faults?â
âNot that I can think of.â
I had to laugh at his logical approach to this whole problem, as if setting up a balance sheet of pluses and minuses would really help anyone decide anything. But I had decided to go along with his fantasy.
âSo it is my turn to confess,â I said. âThen, I must tell you, first of all, that I am opinionated. I try to restrain myself from voicing my opinions when they are not wanted, but I do not always succeed.â
âI donât mind wrong opinions. I find them amusing,â said Coombes.
âAlso, I am by nature impatient.â
âSo am I,â said Coombes.
âThird, I stay up very late and rise very early, and though I will promise to be as quiet as a mouse, I cannot change the sleep habits of a lifetime.â
âSometimes I donât go to bed at all,â said Coombes.
âWell, there we are,â said Ffoulkes, smiling and rubbing his hands together like a broker who has just seen his clients conclude a deal.
âIf you are agreeable,â said Coombes, âwe can meet at the property tomorrow at nine, so you can decide whether it suits you. Iâll call the agent.â
âExcellent,â I said.
Coombes gave me a sheet describing the cottage and how to find it. Then we shook hands and he said, âEveryone talks so much about Afghanistan these days. How did you like it there?â
âI confess,â said I, âthat it was not . . . I say, but how did you know that I . . . ?â
The doorbell rang again and Coombes hurried to answer it. An old woman wearing a backpack was on the front stoop. âIs this Oxford Cottage?â she asked. âI have a reservation.â
While Coombes showed the woman into the kitchen to await the arrival of the manager, Ffoulkes and I left and strolled back towards the centre of town.
âBy the way,â I said, suddenly stopping and turning to Ffoulkes, âhow in the world did he know I had been to Afghanistan?â
âI donât think either of us told him.â
âNo, Iâm sure we didnât. But it was curious, wasnât it? And then all this folderol about cooking books to learn their owners â I donât know what to make of him.â
âNor do I,â said Ffoulkes. âBut he seems harmless enough. And anyway, Wilson, you always liked puzzles when we were at school. Mr Cedric Coombes is a puzzle you can work out in your spare time, when you tire of buying first editions of Dickens and hiking the foggy hills.â
We walked to the car park by the tourist information centre and said our goodbyes, and we vowed to meet up in London someday soon â one of those vows old friends make in the heat of sudden meeting, but seldom carry out. Percy Ffoulkes climbed into his Range Rover, waved, and through the window his face seemed suddenly young, as I had known it years ago in the flower of our youth. And then he was gone in a swirl of leaves.
I walked towards the Boz Books shop, anxious to examine a first edition of Pickwick Papers that I had found there â and anxious, also, for morning to arrive so I could learn more about my curious new acquaintance.
TWO
The Logic of Poetical Leaps
I met Coombes next day in Chancery Lane, as he had arranged, in front of a pretty stone cottage in a row of stone cottages that walled one side of the street.