voracious-puma eyes soften as the woman walked to him and took his hand in hers.
WICKED GIRL
A t the age of eleven, Elena MejÃas was still a scrawny whelp of a girl with the dull skin of solitary children, a mouth revealing gaps still unfilled by second teeth, mouse-colored hair, and a prominent skeleton, much too large for the rest of her, that threatened to poke through at the elbows and knees. Nothing about her betrayed her torrid dreams, nor presaged the sensuous creature she would become. Among the nondescript furnishings and faded draperies of her motherâs boardinghouse, she went completely unnoticed. She was like a melancholy little waif playing among the dusty geraniums and enormous ferns in the patio, or trooping back and forth between the kitchen range and dining room tables to serve the evening meal. On the rare occasion some boarder took notice of her, it was only to ask her to spray for cockroaches or to fill the watertank in the bathroom when the creaking pump failed to draw water to the second floor. Her mother, exhausted by heat and the grind of running her boardinghouse, had no energy for tenderness or time to devote to her daughter, so she failed to notice when Elena began to change into a different creature. She had always been a quiet, shy child absorbed in mysterious games, talking to herself in corners and sucking her thumb. She emerged from the house only to go to school or the market; she seemed uninterested in the noisy children of her own age playing in the street.
The transformation of Elena MejÃas coincided with the arrival of Juan José Bernal, the Nightingale, as he liked to call himself and as a poster he tacked to the wall of his room loudly proclaimed. Most of the boarders were students or employees in some obscure division of city government. Real ladies and gentlemen, Elenaâs mother always said, for she prided herself on not taking just anyone under her roof, only respectable persons with a visible means of support, good manners, and enough money to pay a monthâs room and board in advance, who were also disposed to live by the regulations of her boardinghouseâmore fitting for a seminary than a hotel. A widow has to think of her reputation and be able to command respect; I donât want my home turned into a haven for bums and perverts, her mother frequently repeated, so no one, especially Elena, would ever forget. One of the girlâs responsibilities was to spy on the guests and keep her mother informed of any suspicious behavior. Eternal stealth exaggerated the ethereal air of the child who moved in an aura of silence, vanishing in the shadows of a room only to appear suddenly as if returning from another dimension. Mother and daughter shared the many chores of the boardinghouse, each immersed in her silent routine, feeling no need to communicate with the other. In truth, they spoke very little, and when they did, during the brief freedom of the hour of the siesta, it was about the clients. Sometimes Elena tried to embellish the gray lives of those transitory men and women who passed through the house leaving no trace of a memory by attributing to them some extraordinary event, coloring their lives through the gift of some clandestine love affair or tragedy, but her mother had an infallible instinct for detecting her fantasies. She also knew when her daughter was hiding something from her. She had an unassailable practical sense and a clear notion of everything that went on under her roof. She knew exactly what each lodger was doing at any hour of the night or day, how much sugar was left in the pantry, who was being called when the telephone rang, and where the last person had left the scissors. She had once been a cheerful, even pretty, young woman; her frumpy dresses barely restrained the impatience of a still-young body, but all the years spent scratching out a living had slowly drained away her spirit and zest for life. When Juan José Bernal came