seen?
Adam waved for me to follow him. I started putting my cameras away, but as Wiley and his assistant turned the body over, I almost dropped the Leica.
I hurried across the stage and grabbed Adam by the elbow, pulled him behind some scenery so the other cops wouldnât overhear. âAdam,â I said. âI know this kid.â
I had met him about five hours ago.
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3
A LIGHT MIST WAS FALLING through the sycamore trees. The driveway was packed with cars of all makes, models and conditions, from brand-new Acuras and BMWs to rusted-out junkers with hocked titles and plastic sheeting duct-taped over busted windows. The house rose up in the darkness beyond the driveway, bowed and swollen, light streaming from every window like a house afraid of its own shadows. Adam and I climbed the steps to the porch.
âYou met the victim here?â he asked. I nodded and shook the water from my hair. âHow do you know Michi Mori?â
âHe promised to sponsor an exhibition of my photography.â
âIs that why you were here today?â
âYeah.â I couldnât tell him the truth, so I pushed the glowing yellow doorbell button.
âDid you hear about that cop?â he asked as we waited for someone to answer.
âWhich one?â
âThat accident over on Union.â
âWhat about him?â I knew the one he was talking about, and I knew what Adam was going to say before he said it.
âDied at the scene. Damn shame. He had three kids. He was a good cop.â He checked his cell phone for messages. âI guess the lawyers will be all over it.â
âI took some pictures of the accident.â I didnât tell him I had seen his dead cop. What was the point? Heâd only use it as another excuse to hassle me about coming to meetings.
He said, âRing the doorbell again.â He pointed at the Leica hanging around my neck. âIs that new? Looks expensive.â
âIt is.â
âWhereâd you get that kind of money?â
âI got a good deal on it.â
âStolen?â
âNo, it isnât stolen. You think Iâd buy a hot camera?â
âJust asking.â
âWell donât.â
The door finally opened and we were greeted by an elderly gentleman, about five feet tall, with a thick wavy pompadour of ivory-white hair sweeping back from his tanned and botoxed forehead. He blinked his dark, almost-Chinese eyes slowly and smiled just with his lips. âMay I help yâall?â he drawled.
Adam gave a surprised little suck of air and said, âJesus! Youâre Cole Ritter!â
âMy reputation precedes me.â He wore a red silk smoking jacket, but his legs were naked, bandy as a flyweight boxerâs legs, deeply tanned and utterly hairless. His feet were bare, the trimmed nails shiny and healthy. He held a martini glass between the index and middle fingers of his bejeweled left hand.
Adam turned to me. âJesus, Jackie, this is Cole Ritter! Do you know who he is?â
âCole Ritter, I presume.â
âOn the button,â Cole said.
Adam grabbed his hand and shook it, almost upsetting his martini. âIâve loved your work since I Canât Remember When! â
âMuch obliged, Iâm sure.â Cole gradually extracted his hand from Adamâs fist. He took a sip of his martini and glanced at me.
âI was a theater major in college,â Adam said. âMy senior year, I played Sonny in Forrest Park .â
âAh yes,â Cole smiled at me. âI wrote that play when I was in high school.â
âThatâs whatâs so incredible about it! Such maturity of style, such depth of characterization! Jackie, do you have any idea who this man is?â Adam was giving a disgusting fanboy performance. I thoroughly enjoyed it.
âIâve heard of him,â I admitted.
âHigh praise indeed,â Cole said.
âHeâs only like the
Ann Voss Peterson, J.A. Konrath