and board a boat headed downriver to Ostia. Such boats departed throughout the day and even during the night, so we would have no problem finding one.
But now, at the very last moment, just as we should have been making ready to set out, Antipater had proposed a change of plan. Yes, he and I would leave for Ostia, and then for Ephesus—but not until after the funeral. He wanted to see the cremation and hear the speeches, and he had thought of a way to do it.
“When the archmime arrives, Finder, you’ll tell him you don’t need his services after all and send him home. And I shall take his place!”
It was the duty of the archmime—a trained professional—to walk in front of the bier, wearing the death mask of the deceased. Some archmimes made quite an art of their impersonation, duplicating the exact gait and gestures of the dead man, performing mute, impromptu skits to remind anyone who knew the deceased of some familiar behavior.
“But I hired the best archmime in Rome,” my father complained, “just as your will instructed. He’s the most expensive player in the whole procession.”
“Never mind,” said Antipater. “Who better to play me, than me? I’m already suitably dressed; you wanted me to wear black today, so that if anyone should glimpse me I’d not look out of place. And young Gordianus is still wearing his black toga. He, too, will be able to take part in the funeral.” Antipater raised the wax mask, which was affixed to a pole, and held it before his face.
“Madness!” My father declared again, and then fell silent, for the consul Catulus, coming from the direction of the vestibule, suddenly joined us in the garden.
“Finder, it’s time to begin,” said Catulus, with the tone of a man used to taking charge. “The bearers have arrived—I took the liberty of escorting them into the vestibule. And look, here’s the archmime!” He stared at Antipater. “How did you enter the house, and I failed to see you?”
Hiding his face behind the mask, Antipater performed an elaborate shrug and gracefully extended one arm, making a flourish with his fingers.
Catulus frowned. “That’s nothing at all like Antipater! But the mask is a good likeness, so I suppose he’ll do. Finder, shall we begin?”
My father sighed and followed Catulus to the vestibule, where the bearers had gathered around the bier. In lieu of the death mask, a sprig of cypress had been laid over the ruined face of the deceased. I gave a start when I saw the archmime, a redhead with a weak jaw, standing in the front doorway; apparently he had just arrived. I tugged at my father’s toga and pointed. He quickly moved to whisk the actor back into the street. Catulus was never aware of his presence.
The bearers lifted the bier. Antipater, keeping his mask raised, strode before them as they carried the body over the threshold and into the street. At the sight of the deceased, the hired mourners broke into a lament.
I looked up the street, and was startled by the size of the crowd that had gathered for Antipater’s funeral. I suppose I shouldn’t have been surprised; he was one of the most famous poets in the world, after all.
The musicians commenced a plaintive dirge. The procession slowly wended its way up the narrow streets of the Esquiline Hill until we passed through a gate in the city wall and arrived in the necropolis, the city of the dead. The bier was placed upon a pile of wood. Many speeches were made, extolling the virtues of the dead man, including a memorable one by Catulus. Antipater’s poems were recited at great length. Then, at last, the bonfire was lit.
The remains were reduced to ashes, and the ashes were gathered in an urn. The urn was placed in a simple stone tomb, and atop the tomb was placed the marble tablet with its image of a cock clutching a palm branch and a scepter, with a knucklebone precariously balanced at the edge of the base.
Throughout the proceedings, watching all, and watched by all,