we had thenâpulled out behind them. Dust motes rose from the street and drifted into the room, sparkling. He turned from the window, crossed the room and laid his fingers lightly upon the neck of his harp. There was always one near to hand; every servant knew to see to that. A small one hung by the window in his bedchamber. He said that when a night wind stirred the strings, it was a welcome awakening. He would rise from his bed and pray to the Name, who had blessed him so greatly. The instrument he reached for now was one of his favorites, a fine tall harp from Mitzrayim, the slender curve of its soundboard a smooth and perfect arc such as that landâs craftsmen know how to fashion. But, like all his harps, this one had been adapted to his use, the number of its strings doubled to allow for strange tunings, with half and quarter tones that gave his music its unique, complex sound.
âYou know, I suppose, why Yoav sent you.â I was unsure how to answer this. I did not want him to think that Yoav and I had been discussing ways to handle him, even though this was the truth. But it seemed he did not expect an answer. He snorted, and gave a smile that had no joy in it. âI know what Yoav has in his mind: he sees me sitting here with you, picking at the skein of my deeds like a woman at her weaving basket. He wants to give me occupation while he usurps my place and marches my men to war. You, I suppose, support him in this.â
âNo, I do not.â
âNo?â He looked up. âWhatâs this? You are at odds with Yoav?â
âI do not think a recitation of your victories is worthy of your time.â I took a breath and dived deep. âNor mine.â
âIs that so? My victories are an unworthy subject for your talents?â
Have a care, Natan, I told myself. It is one thing to speak hard truths to a king in that strange voice that rises up unbidden from the earth and echoes with the power of the heavens. It is another thingentirely to speak frankly to him as one man to another, especially as I am a man in his service.
Eved hamalek
. The servant of the king. But, then, what service could I offer, if not this: speaking, where other men held a prudent peace. Whatever the risk, I had him now. His anger was shifting, away from Yoav and toward me. I had drawn the boar. Now I had to stick him.
âAny half-skilled graver can etch a stela that says in this or that place the king did vanquish this or that people. I am sure the great king of the Two Rivers and your neighbor the pharaoh, each of them, has a legion of gravers at work this very moment, making fine monuments.â
âAnd why should they not?â
âBecause the rubble of a hundred such stelae lines the walls of our sheep folds. And the dust of a thousand more blows about the Land, ground down to sand.â
He gave me a glance that, if not warm, was no longer a shard of cold stone. He returned his gaze to the harp, running a finger up and down the silken grain of the wood. âGo on.â
âIn our wine store at home, there was a graved stone, holding up the lintel. Basalt, I think, finely dressed. It stood out among the common limestone, so that was why I noticed it, I suppose, when I was a boy. There were just a few words of an inscription, very worn. I was excited when I found itâit is the kind of thing that fires the mind of a childâand I showed my father.â I remembered the cool dark cavern carved deep into the rock, the tall, sweating rows of pithoi, the biscuit scent of the clay, the rich aroma of fermentation. My fatherâs large hand, stained from many pressings, fingering the hollows etched into the stone. I remember that he turned to me, and smiled, and commended me for noticing it. âHe was an unlettered man, but he guessed the writing might be in the style of the Hittites. No doubt it lauded the victory of some important leader. I would look at those words and wonder, Who
David Sherman & Dan Cragg