both Europeans and natives regularly mistook Amanda for an Indian.
“I comprehend well enough,” the older woman answered, “but I object. We will speak no more of her. She is tiresome. I have a story for you, much more interesting than your foolish new sister.”
Nothing could be so pleasurable as this, Amanda thought. How she would miss the sultry Calcutta evenings spent with the fascinating princess... the languorous clouds of smoke and incense that filled the room with shifting spirit-shadows ... the rani’s clear voice, smooth as a running river, coiling through the twists and turns of ancient legends. Amanda forced back the tears filling her eyes.
The rani smoked silently for a moment. Then she raised a finger. All the servants scurried from the room, save the large Padji, who stood still as a statue by the door. When the rest were gone, she began:
“Tonight, I tell you of the goddess Anumati, she from whom the childless women of my native kingdom besought sons and daughters. When she answered their prayers, the women would bring her gifts, as rich as their means permitted. But whether rich or poor, the new mother must always bring as well a carved figure.”
From the cushion beside her, the rani picked up a small wooden statue. Amanda had seen it before. Normally it stood upon a shelf, along with other statues and talismans in the rani’s vast collection. It was about ten inches tall, a beautifully carved sandalwood figure of a smiling woman whose belly was swollen with child.
“Many lifetimes ago,” the rani continued, “such figures filled Anumati’s temple, and precious stones adorned her magnificent statue. In her forehead was set a large ruby, and in her right hand an immense pearl in the shape of a tear. These were the gifts of a prince and princess of ancient times. The ruby, from the prince, symbolized the blood of new life: the son Anumati had given the previously childless couple. The pearl, his wife’s gift, represented the tears of happiness she’d shed at her son’s birth. This stone, more rare than even the ruby, was called the Tear of Joy.”
By the doorway, Padji shifted slightly, and threw his mistress a glance. Her eyes upon the statue, the rani went on.
“Many lifetimes later, marauders came and ransacked the rich temple. The chief of them must have the greatest jewels, of course. With difficulty, he removed the ruby. The pearl, however, was more deeply set. To get at it, he must break the hand from the statue. He beat upon it with an altar stone and at last the arm began to crack. At that same moment came a great rumbling. The temple walls shuddered and the ground beneath trembled. His terrified companions fled, some dropping their loot in their haste. He remained, still struggling for the pearl. Just as he broke the hand away, the temple roof collapsed.”
“Anumati was very angry,” Amanda murmured. “I don’t blame her.”
“Her revenge was greater than that. Mere hours after the temple’s collapse, several of the marauders returned. The new leader, as greedy as his predecessor, determined to have the two great stones. They dug through the rubble— a tremendous task—and at last, by the next day, found the chief’s crushed body. The ruby lay in his hand. The pearl was gone.”
She looked at Amanda. “What do you make of that?”
The logical explanation is that the pearl was crushed to powder,” Amanda said thoughtfully. “Yet Anumati’s worshippers would probably conclude she took away her treasure because, instead of Life and Love, death and destruction filled her temple.”
The princess nodded. “It was said Anumati had abandoned the defiled place and taken all joy with her. The temple grounds were considered accursed. My people followed the advice of their priests, and did not attempt to restore either the temple or their ravaged town. Instead, they built new houses a safe distance away.”
Gently she stroked the figure’s forehead. After a moment she