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us give to travel into the past, relive
glories, correct wrongs, meet our heroes, perhaps even avert disasters, or simply revisit
youth with the wisdom of age? The possibilities of space travel beckon us every time we
gaze up at the stars, yet we seem to be permanent captives in the present. The question
that motivates not only dramatic license but a surprising amount of modern theoretical
physics research can be simply put: Are we or are we not
prisoners on a cosmic temporal freight train that cannot jump the tracks?
The origins of the modern genre we call science fiction are closely tied to the issue of
time travel. Mark Twain's early classic
A Connecticut Yankee in King Arthur's Court
is more a work of fiction than science fiction, in spite of the fact that the whole piece
revolves around the time-travel adventures of a hapless American in medieval England.
(Perhaps Twain did not dwell longer on the scientific aspects of time travel because of
the promise he made to Picard aboard the
Enterprise
not to reveal his glimpse of the future once he returned to the nineteenth century by
jumping through a temporal rift on Devidia II, in the episode “Time's Arrow.”) But H. G.
Wells's remarkable work
The Time Machine
completed the transition to the paradigm that Star Trek has followed. Wells was a graduate
of the Imperial College of Science and Technology, in London, and scientific language
permeates his discussions, as it does the discussions of the
Enterprise
crew.
Surely among the most creative and compelling episodes in the Star Trek series are those
involving time travel. I
have counted no less than twenty-two episodes in the first two series which deal with this
theme, and so do three of the Star Trek movies and a number of the episodes of
Voyager
and
Deep Space Nine
that have appeared as of this writing.
Perhaps the most fascinating aspect of time travel as far as Star Trek is concerned is
that there is no stronger potential for violation of the Prime Directive. The crews of
Starfleet are admonished not to interfere with the present normal historical development
of any alien society they visit. Yet by traveling back in time it is possible to remove
the present altogether. Indeed, it is possible to remove history altogether!
A famous paradox is to be found in both science fiction and physics: What happens if you
go back in time and kill your mother before you were born? You must then cease to exist.
But if you cease to exist, you could not have gone back and killed your mother. But if you
didn't kill your mother, then you have not ceased to exist. Put another way: if you exist,
then you cannot exist, while if you don't exist, you must exist.
There are other, less obvious but equally dramatic and perplexing questions that crop up
the moment you think about time travel. For example, at the resolution of “Time's Arrow,”
Picard ingeniously sends a message from the nineteenth to the twenty-fourth century by
tapping binary code into Data's severed head, which he knows will be discovered almost
five hundred years later and reattached to Data's body. As we watch, he taps the message,
and then we cut to LaForge in the twenty-fourth century, as he succeeds in reattaching
Data's head. To the viewer these events seem contemporaneous, but they are not; once
Picard has tapped the message into Data's head, it lies there for half a millennium. But
if I were carefully examining Data's head in the twenty-fourth century and Picard had not
yet traveled back in time to change the future, would I see such a message? One might
argue that if Picard hasn't traveled back in time yet, there can have been no effect on
Data's head. Yet the actions that change Data's programming were performed in the
nineteenth century regardless of