crowded with greyish-brown monkeys and pink roses, divided the long room in half. Partially hidden behind it, from where David stood, was a black Chinese cabinet, its top crowded with neat rows of bottles, and its inner shelves filled with their reinforcements. As he poured himself a drink, David thought about his dead father-in-law, Dudley Craig, a charming, drunken Scotsman who had been dismissed by Eleanor’s mother, Mary, when he became too expensive to keep.
After Dudley Craig, Mary had married Jean de Valençay, feeling that if she was going to keep a man, he might as well be a duke. Eleanor had been brought up in a string of houses where every object seemed to have been owned by a king or an emperor. The houses were wonderful, but guests left them with relief, conscious that they were not quite good enough, in the duchess’s eyes, for the chairs on which they had sat.
David walked towards the tall window at the end of the room. The only one with its curtain open, it gave a view onto the mountain opposite. He often stared at the bare outcrops of lacerated limestone. They looked to him like models of human brains dumped on the dark green mountainside, or at other times, like a single brain, bursting from dozens of incisions. He sat on the sofa beside the window and looked out, trying to work up a primitive sense of awe.
2
PATRICK WALKED TOWARDS THE well. In his hand he carried a grey plastic sword with a gold handle, and swished it at the pink flowers of the valerian plants that grew out of the terrace wall. When there was a snail on one of the fennel stems, he sliced his sword down the stalk and made it fall off. If he killed a snail he had to stamp on it quickly and then run away, because it went all squishy like blowing your nose. Then he would go back and have a look at the broken brown shell stuck in the soft grey flesh, and would wish he hadn’t done it. It wasn’t fair to squash the snails after it rained because they came out to play, bathing in the pools under the dripping leaves and stretching out their horns. When he touched their horns they darted back and his hand darted back as well. For snails he was like a grown-up.
One day, when he was not intending to go there, he had been surprised to find himself next to the well and so he decided that the route he had discovered was a secret short cut. Now he always went that way when he was alone. He walked through a terrace of olive trees where yesterday the wind had made the leaves flick from green to grey and grey to green, like running his fingers back and forth over velvet, making it turn pale and dark again.
He had shown Andrew Bunnill the secret short cut and Andrew said it was longer than the other way, and so he told Andrew he was going to throw him down the well. Andrew was feeble and had started to cry. When Andrew flew back to London, Patrick said he would throw him out of the plane. Blub, blub, blub. Patrick wasn’t even on the plane, but he told Andrew he would be hiding under the floor and would saw a circle around his chair. Andrew’s nanny said that Patrick was a nasty little boy, and Patrick said it was just because Andrew was so wet.
Patrick’s own nanny was dead. A friend of his mother’s said she had gone to heaven, but Patrick had been there and knew perfectly well that they had put her in a wooden box and dropped her in a hole. Heaven was the other direction and so the woman was lying, unless it was like sending a parcel. His mother cried a lot when nanny was put in the box, she said it was because of her own nanny. That was stupid, because her own nanny was still alive and in fact they had to go and visit her on the train, and it was the most boring thing ever. She had horrible cake with only a tiny bit of jam in the middle and millions of miles of fluff on either side. She always said, ‘I know you like this,’ which was a lie, because he had told her he didn’t the last time. It was called sponge cake and so he